Chinese Mothers

Why Chinese Mothers Are SuperiorWhy Chinese Mothers Are Superior

Can a regimen of no playdates, no TV, no computer games and hours of music practice create happy kids? And what happens when they fight back?

Source: WSJ, by Amy Chua

A lot of people wonder how Chinese parents raise such stereotypically successful kids. They wonder what these parents do to produce so many math whizzes and music prodigies, what it's like inside the family, and whether they could do it too. Well, I can tell them, because I've done it. Here are some things my daughters, Sophia and Louisa, were never allowed to do:

• attend a sleepover
• have a playdate
• be in a school play
• complain about not being in a school play
• watch TV or play computer games
• choose their own extracurricular activities
• get any grade less than an A
• not be the No. 1 student in every subject except gym and drama
• play any instrument other than the piano or violin
• not play the piano or violin.

I'm using the term "Chinese mother" loosely. I know some Korean, Indian, Jamaican, Irish and Ghanaian parents who qualify too. Conversely, I know some mothers of Chinese heritage, almost always born in the West, who are not Chinese mothers, by choice or otherwise. I'm also using the term "Western parents" loosely. Western parents come in all varieties.

All the same, even when Western parents think they're being strict, they usually don't come close to being Chinese mothers. For example, my Western friends who consider themselves strict make their children practice their instruments 30 minutes every day. An hour at most. For a Chinese mother, the first hour is the easy part. It's hours two and three that get tough.

(When it comes to parenting, the Chinese seem to produce children who display academic excellence, musical mastery and professional success - or so the stereotype goes. WSJ's Christina Tsuei speaks to two moms raised by Chinese immigrants who share what it was like growing up and how they hope to raise their children.)

Despite our squeamishness about cultural stereotypes, there are tons of studies out there showing marked and quantifiable differences between Chinese and Westerners when it comes to parenting. In one study of 50 Western American mothers and 48 Chinese immigrant mothers, almost 70% of the Western mothers said either that "stressing academic success is not good for children" or that "parents need to foster the idea that learning is fun." By contrast, roughly 0% of the Chinese mothers felt the same way. Instead, the vast majority of the Chinese mothers said that they believe their children can be "the best" students, that "academic achievement reflects successful parenting," and that if children did not excel at school then there was "a problem" and parents "were not doing their job." Other studies indicate that compared to Western parents, Chinese parents spend approximately 10 times as long every day drilling academic activities with their children. By contrast, Western kids are more likely to participate in sports teams.

What Chinese parents understand is that nothing is fun until you're good at it. To get good at anything you have to work, and children on their own never want to work, which is why it is crucial to override their preferences. This often requires fortitude on the part of the parents because the child will resist; things are always hardest at the beginning, which is where Western parents tend to give up. But if done properly, the Chinese strategy produces a virtuous circle. Tenacious practice, practice, practice is crucial for excellence; rote repetition is underrated in America. Once a child starts to excel at something—whether it's math, piano, pitching or ballet—he or she gets praise, admiration and satisfaction. This builds confidence and makes the once not-fun activity fun. This in turn makes it easier for the parent to get the child to work even more.

Chinese parents can get away with things that Western parents can't. Once when I was young—maybe more than once—when I was extremely disrespectful to my mother, my father angrily called me "garbage" in our native Hokkien dialect. It worked really well. I felt terrible and deeply ashamed of what I had done. But it didn't damage my self-esteem or anything like that. I knew exactly how highly he thought of me. I didn't actually think I was worthless or feel like a piece of garbage.

As an adult, I once did the same thing to Sophia, calling her garbage in English when she acted extremely disrespectfully toward me. When I mentioned that I had done this at a dinner party, I was immediately ostracized. One guest named Marcy got so upset she broke down in tears and had to leave early. My friend Susan, the host, tried to rehabilitate me with the remaining guests.

The fact is that Chinese parents can do things that would seem unimaginable—even legally actionable—to Westerners. Chinese mothers can say to their daughters, "Hey fatty—lose some weight." By contrast, Western parents have to tiptoe around the issue, talking in terms of "health" and never ever mentioning the f-word, and their kids still end up in therapy for eating disorders and negative self-image. (I also once heard a Western father toast his adult daughter by calling her "beautiful and incredibly competent." She later told me that made her feel like garbage.)

Chinese parents can order their kids to get straight As. Western parents can only ask their kids to try their best. Chinese parents can say, "You're lazy. All your classmates are getting ahead of you." By contrast, Western parents have to struggle with their own conflicted feelings about achievement, and try to persuade themselves that they're not disappointed about how their kids turned out.

I've thought long and hard about how Chinese parents can get away with what they do. I think there are three big differences between the Chinese and Western parental mind-sets.

First, I've noticed that Western parents are extremely anxious about their children's self-esteem. They worry about how their children will feel if they fail at something, and they constantly try to reassure their children about how good they are notwithstanding a mediocre performance on a test or at a recital. In other words, Western parents are concerned about their children's psyches. Chinese parents aren't. They assume strength, not fragility, and as a result they behave very differently.

For example, if a child comes home with an A-minus on a test, a Western parent will most likely praise the child. The Chinese mother will gasp in horror and ask what went wrong. If the child comes home with a B on the test, some Western parents will still praise the child. Other Western parents will sit their child down and express disapproval, but they will be careful not to make their child feel inadequate or insecure, and they will not call their child "stupid," "worthless" or "a disgrace." Privately, the Western parents may worry that their child does not test well or have aptitude in the subject or that there is something wrong with the curriculum and possibly the whole school. If the child's grades do not improve, they may eventually schedule a meeting with the school principal to challenge the way the subject is being taught or to call into question the teacher's credentials.

If a Chinese child gets a B—which would never happen—there would first be a screaming, hair-tearing explosion. The devastated Chinese mother would then get dozens, maybe hundreds of practice tests and work through them with her child for as long as it takes to get the grade up to an A.

Chinese parents demand perfect grades because they believe that their child can get them. If their child doesn't get them, the Chinese parent assumes it's because the child didn't work hard enough. That's why the solution to substandard performance is always to excoriate, punish and shame the child. The Chinese parent believes that their child will be strong enough to take the shaming and to improve from it. (And when Chinese kids do excel, there is plenty of ego-inflating parental praise lavished in the privacy of the home.)

Second, Chinese parents believe that their kids owe them everything. The reason for this is a little unclear, but it's probably a combination of Confucian filial piety and the fact that the parents have sacrificed and done so much for their children. (And it's true that Chinese mothers get in the trenches, putting in long grueling hours personally tutoring, training, interrogating and spying on their kids.) Anyway, the understanding is that Chinese children must spend their lives repaying their parents by obeying them and making them proud.

By contrast, I don't think most Westerners have the same view of children being permanently indebted to their parents. My husband, Jed, actually has the opposite view. "Children don't choose their parents," he once said to me. "They don't even choose to be born. It's parents who foist life on their kids, so it's the parents' responsibility to provide for them. Kids don't owe their parents anything. Their duty will be to their own kids." This strikes me as a terrible deal for the Western parent.

Third, Chinese parents believe that they know what is best for their children and therefore override all of their children's own desires and preferences. That's why Chinese daughters can't have boyfriends in high school and why Chinese kids can't go to sleepaway camp. It's also why no Chinese kid would ever dare say to their mother, "I got a part in the school play! I'm Villager Number Six. I'll have to stay after school for rehearsal every day from 3:00 to 7:00, and I'll also need a ride on weekends." God help any Chinese kid who tried that one.

Don't get me wrong: It's not that Chinese parents don't care about their children. Just the opposite. They would give up anything for their children. It's just an entirely different parenting model.

Here's a story in favor of coercion, Chinese-style. Lulu was about 7, still playing two instruments, and working on a piano piece called "The Little White Donkey" by the French composer Jacques Ibert. The piece is really cute—you can just imagine a little donkey ambling along a country road with its master—but it's also incredibly difficult for young players because the two hands have to keep schizophrenically different rhythms.

Lulu couldn't do it. We worked on it nonstop for a week, drilling each of her hands separately, over and over. But whenever we tried putting the hands together, one always morphed into the other, and everything fell apart. Finally, the day before her lesson, Lulu announced in exasperation that she was giving up and stomped off.

"Get back to the piano now," I ordered.

"You can't make me."

"Oh yes, I can."

Back at the piano, Lulu made me pay. She punched, thrashed and kicked. She grabbed the music score and tore it to shreds. I taped the score back together and encased it in a plastic shield so that it could never be destroyed again. Then I hauled Lulu's dollhouse to the car and told her I'd donate it to the Salvation Army piece by piece if she didn't have "The Little White Donkey" perfect by the next day. When Lulu said, "I thought you were going to the Salvation Army, why are you still here?" I threatened her with no lunch, no dinner, no Christmas or Hanukkah presents, no birthday parties for two, three, four years. When she still kept playing it wrong, I told her she was purposely working herself into a frenzy because she was secretly afraid she couldn't do it. I told her to stop being lazy, cowardly, self-indulgent and pathetic.

Jed took me aside. He told me to stop insulting Lulu—which I wasn't even doing, I was just motivating her—and that he didn't think threatening Lulu was helpful. Also, he said, maybe Lulu really just couldn't do the technique—perhaps she didn't have the coordination yet—had I considered that possibility?

"You just don't believe in her," I accused.

"That's ridiculous," Jed said scornfully. "Of course I do."

"Sophia could play the piece when she was this age."

"But Lulu and Sophia are different people," Jed pointed out.

"Oh no, not this," I said, rolling my eyes. "Everyone is special in their special own way," I mimicked sarcastically. "Even losers are special in their own special way. Well don't worry, you don't have to lift a finger. I'm willing to put in as long as it takes, and I'm happy to be the one hated. And you can be the one they adore because you make them pancakes and take them to Yankees games."

I rolled up my sleeves and went back to Lulu. I used every weapon and tactic I could think of. We worked right through dinner into the night, and I wouldn't let Lulu get up, not for water, not even to go to the bathroom. The house became a war zone, and I lost my voice yelling, but still there seemed to be only negative progress, and even I began to have doubts.

Then, out of the blue, Lulu did it. Her hands suddenly came together—her right and left hands each doing their own imperturbable thing—just like that.

Lulu realized it the same time I did. I held my breath. She tried it tentatively again. Then she played it more confidently and faster, and still the rhythm held. A moment later, she was beaming.

"Mommy, look—it's easy!" After that, she wanted to play the piece over and over and wouldn't leave the piano. That night, she came to sleep in my bed, and we snuggled and hugged, cracking each other up. When she performed "The Little White Donkey" at a recital a few weeks later, parents came up to me and said, "What a perfect piece for Lulu—it's so spunky and so her."

Even Jed gave me credit for that one. Western parents worry a lot about their children's self-esteem. But as a parent, one of the worst things you can do for your child's self-esteem is to let them give up. On the flip side, there's nothing better for building confidence than learning you can do something you thought you couldn't.

There are all these new books out there portraying Asian mothers as scheming, callous, overdriven people indifferent to their kids' true interests. For their part, many Chinese secretly believe that they care more about their children and are willing to sacrifice much more for them than Westerners, who seem perfectly content to let their children turn out badly. I think it's a misunderstanding on both sides. All decent parents want to do what's best for their children. The Chinese just have a totally different idea of how to do that.

Western parents try to respect their children's individuality, encouraging them to pursue their true passions, supporting their choices, and providing positive reinforcement and a nurturing environment. By contrast, the Chinese believe that the best way to protect their children is by preparing them for the future, letting them see what they're capable of, and arming them with skills, work habits and inner confidence that no one can ever take away.

(—Amy Chua is a professor at Yale Law School and author of "Day of Empire" and "World on Fire: How Exporting Free Market Democracy Breeds Ethnic Hatred and Global Instability." This essay is excerpted from "Battle Hymn of the Tiger Mother" by Amy Chua, to be published Tuesday by the Penguin Press, a member of Penguin Group (USA) Inc. Copyright © 2011 by Amy Chua.)


譯文:中國媽媽何以更優越?

(作者艾米蔡是耶魯大學法學院教授,也是“帝國之日”和“失火的世界”兩本書的作者。本文摘自艾米蔡“母老虎媽媽戰爭之歌”,由企鵝出版社出版,企鵝集團(美國)有限公司版權所有。)

  很多人想知道中國父母如何能養育出那麽成功的孩子。他們想知道這些父母都做了什麽以至于培養出這麽多的數學和音樂神童,他們又有一種怎樣的家庭。這些人很想知道自己是否也能做到這一點。嗯,我可以告訴他們,因爲我已經做到了。這裏有一些我的女兒:索菲亞和路易莎永遠也不被允許做的事情:
  ◆、在外面過夜
  ◆、有一整天的玩樂
  ◆、參加學校整天的玩樂
  ◆、抱怨說沒有參加學校的玩樂
  ◆、看電視或玩電腦遊戲
  ◆、選擇適合自己的課外活動
  ◆、獲得任何A以下的成績
  ◆、不是科目的第一名(體育和戲劇科目除外)
  ◆、彈奏樂曲(鋼琴或小提琴除外)
  ◆、不練習鋼琴或小提琴。
  我籠統使用的這個字眼“中國媽媽”。我知道一些韓國,印度,牙買加,愛爾蘭和加納的父母也同樣合格這個稱號。相反,我知道有些華裔母親,幾乎都是出生在西方,並不符合這個稱謂。我也要用“西方家長”這個術語。這包括形刑種種的西方父母。
  當涉及到育兒,似乎是中國人的孩子展示了卓越的學術成就、音樂技能和事業的成功–所謂的刻板形象。華爾街日報的克裏斯蒂娜崔採訪了兩位中國移民媽媽,分享他們成長的經曆,以及他們如何希望培育自己的孩子。
  即使西方的父母覺得他們對孩子嚴格,那種嚴厲通常與中國媽媽的標准天差地遠。例如,我的西方朋友認爲自己讓孩子每天花30分鍾練習樂器是夠嚴格的了,最多不會超過一小時。可對于一個中國母親,一小時簡直太容易了,兩三個小時都不是艱難的事。
  撇除對文化的成見和過敏,研究顯示中西方之間,當談到中西父母的差異,有著明顯的本質的區別。在一項對美國50個西方母親和48個中國移民的母親調查中,幾乎70%的西方母親說“強調高分對孩子不好”或“父母需要培育孩子學習的樂趣。”相比之下,約0%的中國母親有同感。相反,絕大多數的中國母親說,他們相信他們的子女能夠成爲“最好的”學生,孩子“學習成績反映了爲人父母的成功和失敗”,而如果孩子沒有在學校出類拔萃則是“問題”所在,父母“沒有做好他們自身的工作。”其他研究表明,相對于西方的父母,中國父母大概花約10倍的時間檢查他們的孩子每天相關的學習活動。相比之下,西方的孩子更多地參與體育運動團隊。
  華人父母認爲,沒有任何東西是有趣的,直到你很擅長和掌握自如。任何的掌握自如都需要努力。孩子本身不喜歡辛苦,這就是爲什麽有時至關重要的爲人父母爲孩子做出選擇。這通常需要爲人父母者堅韌不拔的堅持,因爲孩子會頑強地抵制,萬事開頭難,這也是很多西方的父母往往放棄的原因。但是,如果處理得當,中國戰略可以産生了一個良性循環。堅持不懈的實踐、實踐再實踐是最終卓越的關鍵,死記硬背也是美國人低估了的一種功效。一旦孩子開始擅長和運用自如一種東西,無論是數學、鋼琴、投球或芭蕾,他或她得到一致好評、贊賞和自我滿足。這種自信心的建立,使得一度不太有趣的活動成爲樂趣。反過來,這也使得孩子的父母的工作容易得多。
  中國的父母可以做西方父母所不能做的。我年少之時,不止一次當我不尊重我的母親時,我的父親用我們閩南土語生氣地叫我“垃圾”。這種責罵非常管用。我對自己的行爲感到可怕和深深的羞愧。但是,這並不損害我的自尊之類的東西。我清楚地知道他對我抱有的期望。我其實並沒有覺得自己像一堆毫無價值的垃圾。
  作爲一個成年人,我曾經對我的女兒索菲亞做過同樣的事情,當她對我非常無禮的時候,用英語罵她垃圾。當我在一次宴會上提到我那樣做(對我的女兒),我立刻被排斥。瑪西說她太難過了以至于泣不成聲,更不得不不得不提早離開宴會。我的朋友蘇珊,晚會的主人,試圖在留下的客人中爲我平反。
  中國父母可以做一些似乎不可思議的事情,對西方人來說他們甚至可以采取法律行動,。中國媽媽可以對他們的女兒說,“嘿!胖子!該減肥了。”相比之下,西方家長要蹑手蹑腳圍繞這個問題“舞蹈”,用“健康”來引導,永遠不會提胖字,而他們的孩子仍然要在結束飲食失調和負面的自我形象治療之間掙紮。(我也曾經聽到一個西方的父親祝酒他成年的女兒叫她“美麗,令人難以置信的能力。”後來她告訴我,他父親虛假的語言讓她有一種垃圾的感覺。)
  中國的父母可以要求他們的孩子成績拿全A。西方父母只要求他們的孩子盡力就好。中國的父母可以說:“你這懶蟲!你所有的同學都超越你了。”相比之下,西方父母不得不關于成就與自己的沖突的感覺鬥爭,試圖說服他們自己,他們的孩子不理想的成績沒有讓他們失望。
  我想了很久有關華人父母如何能做那些西方父母認爲不可思議的事情。我認爲在西方父母和之間的中國父母之間,存在著三個思想上差異。
  首先,我注意到,西方的父母非常關心孩子的自尊心。他們擔心自己的孩子如果失敗會感覺如何,他們不斷嘗試從正面去安撫他們的孩子,盡管孩子在考試或演奏上表現平平。換言之,西方的父母關心孩子的心理。中國的父母卻不是!他們斷定孩子是堅強的,而不是脆弱的,這兩種假設和斷定結果,導致了非常不一樣的結果。
  例如,如果一個孩子帶著A–的成績單回家,西方家長極有可能表揚孩子。中國媽媽會喘息不順並問出了什麽差錯。如果一個孩子帶著B成績單回家,一些西方父母仍然會稱贊孩子。另一些西方父母坐下來和他們的孩子談話並來表達不滿,但他們要小心,不要讓孩子們感到不適或缺乏安全感,他們不會罵他們的孩子“笨”,“沒用”或“羞恥”。私下裏,西方的父母可能會擔心他們的孩子沒有考好,或者對課程甚至學校産生懷疑。如果孩子的成績沒有改善,他們最終可能安排與該校校長面談,挑戰教學方法和正在執教老師的能力。
  如果中國的孩子獲得了B—這似乎是永遠不會發生的事情,首先會聽到一聲尖叫,仿佛頭髮撕裂爆炸。氣急敗壞的中國媽媽可能以數十個也許上百個練習題和測試給她的孩子,直到他們的孩子拿到A。
  中國家長要求他們的孩子取得完美的成績,因爲他們相信,他們的孩子可以做到。如果他們的孩子沒有得到(完美的成績),中國父母認爲是因爲孩子沒有足夠努力。這就是爲什麽中國父母對孩子不合標准的結果解決方式始終是苛責、懲罰和羞辱。中國父母認爲,他們的孩子足以承擔羞辱並改善不佳。
  其次,中國家長認爲,孩子欠他們的一切。這個原因不明確,但它可能是儒家孝道以及加進去了父母爲孩子的某種犧牲,父母爲孩子做了很多的事情。(的而且確,中國媽媽長期艱苦的奮鬥親自輔導、培訓、審問他們的孩子,有時甚至像從事間諜活動一樣。)據了解,中國孩子必須盡自己的一生償還服從父母,讓他們的父母以此爲榮。
  相比之下,我不認爲大多數西方人的子女有永久地感謝他們的父母的觀點。我的丈夫,傑德,看法剛好相反。“孩子沒有選擇父母的權利,”他曾經對我說。“他們甚至無法選擇出生。是父母強加給他們的孩子生命,所以父母有責任爲他們提供生活所需。孩子不欠父母任何東西。他們的職責將是自己的孩子。”這番話給了我巨大的沖擊。
  第三,中國的父母認爲,他們知道什麽是對他們的孩子來說是最好的,因此他們忽略孩子自身的欲望和喜好。這就是爲什麽中國女兒在高中不能有男朋友,中國的孩子不能去住宿營地。這也是爲什麽中國的孩子永遠不敢對他們的母親說,“我學校有場演出,我演村民第六號,我放學之後要留校,從三點至七點排練,我還需要周末被送過去參加排練。”願上帝幫助中國孩子有勇氣嘗試去那麽做。
  不要誤解我:這並不是說中國的家長不關心他們的子女。恰恰相反,他們會爲了自己的孩子放棄所有。這只是一個完全不同的養育模式。
  在中國,並非所有的愛都以負面的形式出現。問題是:美國父母是否太容易了?這裏有一個中式“強逼”的故事。露露,7歲左右,學習兩種樂器,正在練習鋼琴曲法國作曲家雅克的作品“小白驢”。這首曲子真的很可愛,你可以想像一個小毛驢沿著鄉村道路歡快地前行,但對于初學者也是非常困難彈奏的曲子,因爲兩只手必須同時彈奏不同的節奏。
  露露彈不好。我們曾一個星期不間斷地努力練習,先是兩只手分別進行,一遍又一遍。但每當我們試圖把兩只手放在一起,一只手就會被另一只拖累,然後一切都亂七八糟。最後在她上課的前一天,露露跺著腳惱怒地宣布:她放棄了。
  “你坐回到鋼琴前去。”我命令。
  “你想!”
  “哦,是的,我可以。”
  回到鋼琴前,露露要我付出代價。她拳打腳踢並一把撕碎了樂譜。我把碎片貼到一起到一起,並把它包在一個塑料套裏以防再被摧毀。然後我把Lulu的娃娃屋拖到我的汽車裏,並告訴她,如果她沒能在第二天把“小白驢”彈得很完美,我會把她的娃娃屋一塊一塊捐給救世軍。露露說,“你不是要去救世軍嗎,你爲什麽還在這裏?”我威嚇她她將沒有午飯、沒有晚餐、沒有聖誕節或光明節的禮物,二、三甚至四年內沒有生日派對。當她還是不停地彈錯,我告訴她,她執意讓自己陷入狂亂,因爲她偷偷害怕她做不好。我告訴她不要偷懶,不要懦弱,不要自我放縱和不要自己可憐自己。
  傑德把我拉到一邊。他告訴我要停止侮辱露露,而我什麽都還沒做呢。我只是激勵她,但他不認爲威脅露露是任何益處。他說,也許真的露露做不到那個難度,也許她沒有那種協調能力,我是否考慮過這種可能性?
  “你不相信她,”我指控。
  “可笑!”傑德說,輕蔑地說。“當然我相信她。”
  “索菲亞在這個年齡可以彈奏這個曲子。”
  “但露露和索菲亞是不同的兩個人,”傑德指出。
  “哦,不,不是,”我說,我翻著眼珠:“每個人都是特殊的,”我模仿諷刺。“即使輸家也是以自己特殊方式特別著。好了,別擔心,你不必動一根手指。只要需要我願意面對,我很高興能唱白臉。你可以繼續做他們的偶像,因爲你他們做煎餅,帶他們到洋基隊看比賽。”
  鑽進給爲人父母特制的監獄?我卷起衣袖做一個唱白臉的中國媽媽,我用每一種我能想到的武器和戰術,我和女兒一起努力,到了廢寢忘食的地步,我不會讓露露起身離開鋼琴,即便是喝水甚至不能去衛生間。這所房子變成了戰場,我喊啞了嗓子,但似乎毫無進展,甚至我也開始懷疑。
  然後,烏雲忽然散去,露露彈好了。她的手突然走到了一起,她左右手分別有條不紊的彈奏著,就是這麽簡單。
  露露和我幾乎同時意識到這點。我屏住呼吸。她再次嘗試。然後,她更自信、更快捷地彈奏,那節奏依舊完好。一會兒之後,她是喜上眉梢。
  “媽媽,你看,很容易!”之後,她一遍又一遍地彈奏著,甚至不願離開鋼琴。那天晚上,她來睡在我床上,我們依偎擁抱,互相打趣取笑。幾個星期後,當她在演奏會表演“白色的小驢子”之後,一位家長對我說:“多麽完美的作品,非常的勇敢,那麽有露露的個性!”
  即使傑德也因此給了我贊譽。西方父母過于擔心自己的孩子的自尊心。但作爲父母,你在孩子的自尊心上可以做的最糟糕的事情就是:讓他們放棄。在另一面,沒有什麽比建立自信心和學習做成你原以爲你做不到的事更好的。
  外面世界有很多新書把亞裔母親描繪成陰謀、無情、冷漠到逼迫自己的孩子超負荷的怪物。其實,許多華人暗地裏認爲他們比西方人更關心孩子並更多地願意爲孩子們犧牲自己,誰願意自己的孩子不求上進?我認爲這是一種兩種文化的誤解(或差異)。爲人父母者都是爲了孩子的福祉竭盡所能,華人只不過用了與西方社會截然不同的方式來做到這一點而已。
  西方家長盡量尊重孩子的個性,鼓勵他們追求自己真正的愛好,支持他們的選擇,並提供積極的強化和培育環境。相比之下,中國人認爲,最好的保護自己的孩子的方式是爲他們的未來做充分的准備,讓他們發掘自己的潛能,並用技能、好的工作習慣和發自內心的自信來武裝自己,擁有這一切是任何人無法強取豪奪去的。


Amy Chua with her daughters, Sophia and Louisa.

The Tiger Mother Responds to Readers

On Saturday, Review ran an excerpt from Amy Chua’s new book “Battle Hymn of the Tiger Mother.” The article, titled “Why Chinese Mothers Are Superior,” attracted a lot of attention, generating more than 4,000 comments on wsj.com and around 100,000 comments on Facebook. Below, Ms. Chua answers questions from Journal readers who wrote in to the Ideas Market blog.

Do you think that strict, “Eastern” parenting eventually helps children lead happy lives as adults?

When it works well, absolutely! And by working well, I mean when high expectations are coupled with love, understanding and parental involvement. This is the gift my parents gave me, and what I hope I’m giving my daughters. I’ve also taught law students of all backgrounds for 17 years, and I’ve met countless students raised the “tough immigrant” way (by parents from Pakistan, India, Nigeria, Korea, Jamaica, Haiti, Iran, Ireland, etc.) who are thriving, independent, bold, creative, hilarious and, at least to my eyes, as happy as anyone. But I also know of people raised with “tough love” who are not happy and who resent their parents. There is no easy formula for parenting, no right approach (I don’t believe, by the way, that Chinese parenting is superior—a splashy headline, but I didn’t choose it). The best rule of thumb I can think of is that love, compassion and knowing your child have to come first, whatever culture you’re from. It doesn’t come through in the excerpt, but my actual book is not a how-to guide; it’s a memoir, the story of our family’s journey in two cultures, and my own eventual transformation as a mother. Much of the book is about my decision to retreat from the strict “Chinese” approach, after my younger daughter rebelled at 13.

I have a 20-month-old, and my husband and I both enjoyed the article. How can you apply this to toddlers?

We didn’t actually do anything that different when my daughters were toddlers, just the same kinds of things that you probably do already: read picture books with them, took them for strolls and to the playground, did puzzles with them, sang songs about ABCs and numbers and mainly snuggled with and hugged them! Maybe the only thing different I did is that I always had a babysitter or student speaking in Mandarin to them every day, for at least four to five hours, including weekends, because I wanted my girls to be bilingual. (I wanted my daughters to learn from native Mandarin speakers, because my own native Chinese dialect is Fujianese [Hokkien], and my Mandarin accent is terrible.)

Your method may work with children with a native high IQ—but demanding that kind of excellence from less intelligent children seems unfair and a fool’s errand. Demanding hard work and a great effort from children is the best middle ground we can reach philosophically, isn’t it? Your thoughts?

Jokes about A+s and gold medals aside (much of my book is tongue-in-cheek, making fun of myself), I don’t believe that grades or achievement is ultimately what Chinese parenting (at least as I practice it) is really about. I think it’s about helping your children be the best they can be—which is usually better than they think! It’s about believing in your child more than anyone else—even more than they believe in themselves. And this principle can be applied to any child, of any level of ability. My youngest sister, Cindy, has Down syndrome, and I remember my mother spending hours and hours with her, teaching her to tie her shoelaces on her own, drilling multiplication tables with Cindy, practicing piano every day with her. No one expected Cindy to get a PhD! But my mom wanted her to be the best she could be, within her limits. Today, my sister works at Wal-Mart, has a boyfriend and still plays piano—one of her favorite things is performing for her friends. She and my mom have a wonderful relationship, and we all love her for who she is.

Ms. Chua, are you a happy adult? Do you look back on your childhood and feel that it was happy? Do you remember laughing with your parents? Do you wish that you could have taken ballet or been in the high school musical?

I was raised by extremely strict—but also extremely loving—Chinese immigrant parents, and I had the most wonderful childhood! I remember laughing constantly with my parents—my dad is a real character and very funny. I certainly did wish they allowed to me do more things! I remember often thinking, “Why is it such a big deal for me to go to a school dance,” or “Why can’t I go on the school ski trip?” But on the other hand, I had great times with my family (and even today, it’s one of my favorite things to vacation with my parents and sisters). As I write in my book, “When my friends hear stories about when I was little, they often imagine that I had a horrible childhood. But that’s not true at all; I found strength and confidence in my peculiar family. We started off as outsiders together, and we discovered America together, becoming Americans in the process. I remember my father working until three in the morning every night, so driven he wouldn’t even notice us entering the room. But I also remember how excited he was introducing us to tacos, sloppy joes, Dairy Queen and eat-all-you-can buffets, not to mention sledding, skiing, crabbing and camping. I remember a boy in grade school making slanty-eyed gestures at me, guffawing as he mimicked the way I pronounced “restaurant” (rest-OW-rant)—I vowed at that moment to rid myself of my Chinese accent. But I also remember Girl Scouts and hula hoops; poetry contests and public libraries; winning a Daughters of the American Revolution essay contest; and the proud, momentous day my parents were naturalized.”

And yes, I am a happy adult. I am definitely a Type A personality, always rushing around, trying to do too much, not good at just lying on the beach. But I’m so thankful for everything I have: wonderfully supportive parents and sisters, the best husband in the world, terrific students I love teaching and hanging out with, and above all, my two amazing daughters.

What is your relationship with your daughters like now?

I have a wonderful relationship with my daughters, which I wouldn’t trade for the world. I certainly made mistakes and have regrets—my book is a kind of coming-of-age book (for the mom!), and the person at the beginning of the book, whose voice is reflected in the Journal excerpt, is not exactly the same person at the end of book. In a nutshell, I get my comeuppance; much of the book is about my decision to retreat (but only partially) from the strict immigrant model. Having said that, if I had to do it all over, I would do basically the same thing, with some adjustments. I’m not saying it’s for everyone, and I’m not saying it’s a better approach. But I’m very proud of my daughters. It’s not just that they’ve done well in school; they are both kind, generous, independent girls with big personalities. Most important, I feel I’m very close with both of them, knock on wood.


Tiger mom's memoir meets ferocious roar

Tiger mom's memoir meets ferocious roar

By LEANNE ITALIE
The Associated Press
Thursday, January 13, 2011; 8:31 PM

-- A new memoir of bad-ass parenting, Chinese style, from a self-proclaimed tiger mother has unleashed a ferocious roar.

Fallout was swift for Yale law professor Amy Chua after she published a stark essay in The Wall Street Journal describing the harsh words and heavy handed methods she used with her two teen daughters.

Her "Battle Hymn of the Tiger Mother" shot to No. 6 in the Amazon sales rankings Tuesday, the day it was released, likely fueled by angry buzz over the weekend column and a headline Chua had nothing to do with: "Why Chinese Mothers are Superior."

Adult offspring of Asian and Asian American immigrants are weighing in on Chua's provocative description of Eastern-style parenting: No sleepovers or playdates. Grueling rote academics. Hours of piano and violin practice. Slurs like "lazy" and "garbage," and threats to burn stuffed animals when things don't go mom's way.

Some see truth and a borderline abuser. Others see dangerous stereotype with the potential to feed China haters and xenophobes. Still others publicly thanked their moms online for similar, though less extreme, methods.

Few had read the book themselves, missing out on more facetious nuances and details on Chua's journey to a softer approach with Sophia, 18, and Louisa, nicknamed Lulu and about to celebrate her 15th birthday with - gasp - a sleepover party.

"It's been tough on my kids," Chua said Wednesday. "They want to speak out over the thing that has hurt me the most, when people say, `Oh, doesn't that kind of strict parenting produce meek robots?' My daughters could not be further from meek robots. They're confident, funny, kind, generous, with very big personalities, and they're always calling my bluff."

Chua, 48 and the daughter of Filipino immigrants of Chinese descent, insists her tone in the book is self-deprecating. It's a point she considers lost in the blogosphere, including heat from moms employing current Western philosophies she doesn't consider better or worse, but more lax and undisciplined.

"My first reaction was, `Is this a joke?' I kept waiting for the punch line," said Frances Kai-Hwa Wang, 44, a second-generation Chinese American and mother of four in Ann Arbor, Mich. She had parents with high expectations but none of Chua's histrionics. "Her methods are so crude. The humiliations and the shaming. The kids will hear that voice in their heads for the rest of their lives."

Christine Lu's memories of her tiger mom growing up in Los Angeles are laden with sorrow. Mom's ramrod tactics failed on her ("life at home used to be horrible") but they worked on her older sister. She hit 28 and spiraled into a depression that led to her suicide after the startup where she worked fizzled.

"She graduated from Harvard with an MBA. That was the first time she had ever experienced failure," said the 34-year-old Lu, who was born in Taiwan and moved to LA with her parents and three siblings at age 2.

She stopped short of blaming her mom, adding: "It's the culture. Amy is a product of the culture, too."

It's a book of extreme parenting, for sure, a memoir and not a how-to manual, Chua cautions. Her parenting choices were conscious and reflect her upbringing: No TV, no pets, no computer games, no grades under A, no parts in school plays, no complaints about not having parts in school plays, no choice of extracurricular activities, nothing less than top spots in any school class except gym and drama, no musical instruments except piano or violin.

When Lulu had trouble with a tricky piece of music, Chua denied her bathroom breaks and threatened to ship off her dollhouse to the Salvation Army, piece by piece, until she got it right - which she did with pride, mom at her side.

When she pushed back at age 13, rejecting the violin, mom allowed for tennis instead, keeping a keen eye on her game.

Betty Ming Liu, 54, grew up in New York City's Chinatown, the oldest of two girls of Chinese immigrants with high expectations and abusive tactics.

"This is a topic so close to my heart," she said. "It's frightening to see that Amy Chua is still doing it. She's young. She's educated. She's American born. She's not an immigrant and for her to perpetuate this ... is frightening."

As a young adult, Chua said she rebelled in her own way. She married a white, American Orthodox Jew after hearing from her dad: "'You'll marry a non-Chinese over my dead body.' Now my dad and my husband are the best of friends."

Liu and Chua alike acknowledge that the tiger mom parenting approach isn't uniquely Chinese, "but we've perfected it," Liu said. "I got straight Ds in college. That was my only power over my father."

Growing up in California's Marin County, Tony Hsieh's parents forced him to play four instruments. He'd sometimes cheat on practices by recording previous turns at the piano or violin and playing them back while his parents slept. Practice exams for the SAT began in middle school.

Hsieh graduated from Harvard in 1995, co-founded an Internet ad network sold to Microsoft and is now CEO of the online shoe retailer Zappos. He published a memoir of his road to success, "Delivering Happiness," last year. What he didn't do was become was a doctor, a top prize to his parents.

"For myself personally, I think I would have benefited from a less strict parenting style, because a big part of being an entrepreneur is about being creative, thinking outside the box, defying conventional wisdom, taking risks, which runs counter to the values of many Asian parents," he said.

Shay Fan, 26, in San Francisco, didn't rip up sheets of music like one of Chua's girls, but she once protested piano by playing with her feet and paid for it with a fierce spanking.

"I understand her motives," she said of Chua. "Is there a limit to what parents should do? Absolutely. Chua's method of parenting worked for her children, lucky for her, but you have to take things by a case by case basis. ... Overall, I'm glad that my mom taught me to be diligent and introspective."

And Wendy Lin, 55, who remembers yelling and screaming over her perceived laziness as a child, appreciates Chua's resolve to dive into the trenches with her kids.

"She was with them every inch of the way. I thought that was really touching," said Lin, who is parenting her 15-year-old son more gently in Great Neck, N.Y. "A lot of mothers would just shout from the next room."

Chua stands by much of her tiger mom ways: intense attention to academics, for instance. And she has some clarifications: Her girls HAVE had sleepovers and playdates, but they were few and far between.

Regrets? "I wish I hadn't lost my temper," she said. "I wish I hadn't been harsh. I wish I would have let them have more freedom."

Chua considers it a luxury to get to make those choices. Lin understands that in terms of her own parents.

"As an immigrant parent, there aren't a lot of tools you can give your children. You're very powerless in the system. You're very powerless when it comes to language," Lin said. "One of the things that you can do is make sure your kids have a good education and make sure they get into a good school, and after that you can finally rest and take a breath."




我想打破亚裔富不过三代的魔咒


  新年伊始,亚裔虎妈、美国耶鲁大学教授蔡美儿制定十条家规、采用高压手段管教女儿的故事,引发了中美育儿理念的大讨论——美国一些媒体认为,在教育子女方面,中国母亲的严格教育方式似乎更见成效。正在素质教育之路上蹒跚起步的中国母亲们则开始困惑,宽松的家庭氛围,不是更能培养孩子的创造力么。
  蔡美儿为何要采取这种教育方式?严厉的管教背后,她如何保护和培养孩子的创造力?
  近日,通过电邮、电话等方式,本报对话亚裔虎妈、美国耶鲁大学教授蔡美儿。

★ “有些词语,看上去很严厉,其实我是想幽默地表达这个育儿的过程。”
  时报:“虎妈”这个称呼是谁给你的?为什么这么叫你?
  虎妈:我对女儿要求严格,她们有时受不了,背着我叫我“母老虎”“伏地魔”。我先生杰德觉得我过于苛责,认为我的要求太高太强硬,让家里太紧张,不自由。他们不满时或开玩笑时,就喊我“虎妈”或“伏地魔”。
  时报:你怎么看这个称号?
  虎妈:我喜欢这称号。
  时报:我在网上看到,你的育儿经验最近引发了中美教育方式的讨论。有一些人因此认为中国妈妈的教育方式强过了美国妈妈。
  虎妈:月初,一家报纸报道了我严厉教育女儿的事。我的邮箱收到了300多封信,不少是指责我的教育方式极端残酷,没有人性。1月8日,美国一家纸媒将标题做成了“为什么中国妈妈比美国妈妈更优秀”。再后来,《时代》又发文分析称美国父母是不是该思考自己是个“失败者”。
  其实,这不是我的初衷,媒体的有些报道是断章取义,让大家误读了我的教育观。最近我一直在澄清:我是一位华裔妈妈,用我所受的中国式教育管教了两个孩子,并记录了这个育儿经历,仅此而已。其中所使用的一些词语,看上去有些严厉,其实我是想幽默地表达这个育儿的过程。

★ “你是否有更好的教育方法?没有,请配合我。”
  时报:你怎么严厉教育你的女儿?
  虎妈:我给两个女儿制定了10条清规戒律。在学习上,我不准她们任何一门成绩低于“A”。
  我的大女儿索菲娅五年级时,有次乘法速算测试得了第二。接下来我每晚让她做20张试卷,每张100道速算题,我在一旁掐着秒表计时。一周强化训练后,索菲娅次次稳拿第一。小女儿露露有次没做考试加分题,我告诉她家教良好的孩子都应做加分题,正是这些实实在在的分数将优秀和平庸区别开来。从此,露露再也没放弃过加分题。
  时报:有人反对你的这种教育方式吗?
  虎妈:在美国社会,按照中国人的方式教孩子,会面对各种各样的冲突,这是一场持久战,攻坚战。
  时报:你丈夫同意你这么做么?
  虎妈:我在家里并不占优势,我丈夫杰德就是一个有犹太血统的美国人,要求我不要太严。我和他签协议让他不要干预我对孩子进行中国式教育,我问他,你是否有更好的教育方法?没有,请配合我。
  时报:这种教育的效果怎样?
  虎妈:两个女儿保持着门门功课皆“A”的全优纪录。索菲娅18个月就认字母表,3岁阅读《小妇人》,开始弹钢琴,14岁就在卡内基音乐大厅弹钢琴。露露练小提琴,12岁成为耶鲁青年管弦乐团首席小提琴手。有人称她们是“音乐神童”。成年后,露露改打网球,裁判评价她“是那种不付出110%的努力决不罢休的小姑娘”。

★ “当她已经长大时,我应该把一些选择权还给她,让她做真正喜欢的事。”
  时报:有人对你不让女儿参加同伴聚会不理解,不应鼓励孩子参加社会活动吗?
  虎妈:不参加玩伴聚会,是因为时间很宝贵,会耽误练琴时间。有一次,索菲娅一直央求说她想参加最好朋友的生日聚会,我心一软就答应了。可第二天早上她到家,很累,焦躁,也没心练琴了。一盘问才知道,她一整晚都在听一位同学谈论对性的神秘尝试。我后悔让孩子接触这类糟粕聚会。我认为,没必要让孩子犯了错误再学习。
  时报:孩子们不听怎么办?
  虎妈:小孩子的天性就是喜欢玩,她们抵制学习、练琴这类枯燥的事。
  我和露露的第一次冲突发生在一个天寒地冻的下午,那时她才3岁。我要求她练琴,结果她连打带踹,又哭又闹,我忍无可忍将她拖到门外。也许是为了表示反抗,索菲娅还偷着将钢琴咬得到处是牙印。当她们不好好练琴时,我会威胁她们不准吃饭,要烧掉其所有的绒毛玩具,骂她们“垃圾”。
  我每时每分都得软硬兼施,用尽了咒骂、威胁、贿赂、利诱等一切办法,让她们做一些现在不乐意、但将来有益处的事情。
  时报:你会退让么?
  虎妈:要视情况来定。有一次我们到俄罗斯旅行。在一家咖啡馆内,我让露露尝一粒鱼子酱,她不同意。面对我的坚持,她发疯似的说我令人恐怖,要她做地这一切实际上是为我自己!她讨厌小提琴,憎恨这个家,并抓起玻璃杯砸碎在地上,发誓称如果我不放过她,她就要砸掉所有的杯子!
  我最终想清楚,当她已经长大时,我应该把一些选择权还给她,让她做自己真正喜欢的事。这样的事情以后还有很多次,比如说,我同意露露辞去首席小提琴手的职务,改打自己喜欢的网球。

★ “我想打破亚裔富不过三代的魔咒。”
  时报:什么原因令你对女儿如此严格?
  虎妈:我想有两点。一是我自小接受中国式教育。我认为,这种严厉的教育可以培养孩子坚持不懈的品质。二是我害怕两个女儿走下坡路。
  在美国,亚裔移民有“富不过三代”的魔咒:一代移民终于实现了“美国梦”,会省吃俭用,将所挣的每一分钱和巨大的精力投资在孩子的教育上。第二代移民因父母的巨大投入而相对优秀,但他们教育孩子也因此不太严厉了。第三代移民的生活很舒适,有一群成绩B+的朋友,认为个人权利受宪法保护,不愿付出辛苦,就会走下坡路。
  我父母是中国人,他们先是移民菲律宾,上世纪六十年代又举家移民美国。我是移民二代,我想打破亚裔富不过三代的“魔咒”。
  时报:你小时候父母如何教育你?
  虎妈:我父母对我很严格。8年级时我历史考了第二名,颁奖仪式结束后,父亲说“千万不要再让我像这样丢脸了”。在家里说中国话时不小心夹杂了一个英语单词,就要被狠狠打手板。
  我当时也经常抱怨,我的事为什么他们老做主。这事在我申请读大学时得到了解决。父母坚持让我读加州大学伯克利分校,说离家近,可以住家里。我想摆脱“虎笼”,于是就瞒着父亲,伪造了他的签字悄悄申请了哈佛大学并被录取。父亲为此折腾了整整一宿,一边因我违抗父命大发雷霆,一边又为我考取哈佛而骄傲。
  时报:现在回头看,有没有不喜欢的地方?
  虎妈:回头看,我很理解、也很感激父母。我相信,我的孩子最终也会理解我。

★ “西式教育过于强调‘创意’,排斥纪律、刻苦等旨在培养毅力的东西,中国教育过于强调后者而忽视前者。”
  时报:大家担心,严苛的教育会夺走孩子的快乐童年。你怎么看这个观点?
  虎妈:我们还有其他快乐时光。练完琴后,我们有很多快乐的话题,会趴在床上读书,会一起做有创意的中国菜。我丈夫会带领一
  家人骑车旅行,教孩子们游泳、玩扑克,朗读文学作品。我们一家到过伦敦、巴黎、罗马等几十个国家和城市。当然,根据“家规”,我会提前预约好琴房,以免孩子们生疏了琴艺。
  时报:你觉得,中西方妈妈教育孩子的方式有什么不同?
  虎妈:我注意到,西方父母在意孩子的自尊和心理感受,对孩子的学习没有过多要求。中国妈妈看重孩子考了多少分,排在第几名,会为孩子报很多课外班,督促其超过其他孩子。西式教育让孩子自由,有创造力和想象力,但也直接造成孩子关注吃喝玩乐、看影碟电视、不勤奋上进、遇到问题退缩等种种问题。中式教育方式能通过大量的训练使孩子强化意志力,能培养良好的学习习惯。
  时报:你的观点是什么?
  虎妈:我认为,我这种外人眼中有些严苛的教育,实质上是掌握孩子人生的最初“选择权”。孩子年幼时,不了解社会,也不可能会有明智、成熟的选择,需要家长为其做出正确的“选择”,家长要负起这个责任,督促孩子去实现这个“选择”。随着孩子逐渐成熟,有了自己做出选择的能力,家长就应该放手给孩子。
  时报:你认为,你的哪些观点可供中国妈妈借鉴?
  虎妈:我很高兴,中国妈妈们已经注意到素质教育,并寻找方法培养孩子们更多的创造力。对孩子来说,创造力确实很宝贵,但没有严苛教育培养出来的基本学术能力、坚持不懈的性格基础,也不会有脱颖而出的创造力。
  我个人认为,西式教育过于强调“创意”,排斥纪律、刻苦钻研等旨在培养毅力的东西,中国教育却过于强调后者而忽视前者。现实中,双方都把这个关系摆成了“要么/或”的关系,其实,这是一个“既/和”的关系,两种教育方式应达到一个理想的平衡状态,孩子才会长成我们期待的那样。

★ 人物 “虎妈”蔡美儿
  蔡美儿,英文名Amy Lynn Chua,女,1962年生,祖籍福建。其父获麻省理工学院博士,就职于加利福尼亚大学。蔡美儿幼年随父母移民美国,获哈佛大学文学学士、法学博士,现任耶鲁大学法学院终身教授。
  蔡美儿为两个女儿制定十大戒律,自称“采用咒骂、威胁、贿赂、利诱等种种高压手段,要求孩子沿着父母为其选择的道路努力”。
 ◆不准在外面过夜
 ◆不准参加玩伴聚会
 ◆不准在学校里卖弄琴艺
 ◆不准抱怨不能在学校里演奏
 ◆不准经常看电视或玩电脑游戏
 ◆不准选择自己喜欢的课外活动
 ◆不准任何一门功课的学习成绩低于“A”
 ◆不准在体育和文艺方面拔尖,其他科目平平
 ◆不准演奏其他乐器而不是钢琴和小提琴
 ◆不准在某一天没有练习钢琴或小提琴

Brain injuries

According to this news, "About 1.7 million people in the United States suffer traumatic brain injuries every year, with about 20 percent of them caused by violence, including gunshots. About 52,000 people die as a result of their injuries and about 275,000 are hospitalized, according to the Centers for Disease Control and Prevention. Of the deaths caused by traumatic brain injury, perhaps 35 percent to 40 percent are attributed to gunshots."

繙譯:
  美國每年大約有一百七十万人受到腦部創傷,其中有百分之二十(約三十四万)來源於暴力,包括槍擊。這些創傷造成五萬兩千人致死,而有二十七万五千人留院治療(【註】二十七万五千加上五萬兩千,是三十二万兩千。這兩個數字是相應於一百七十万腦部創傷人的總數,還是那百分之二十的暴力致傷人數?看起來是前者,那麽大約百分之八十的人屬於治癒出院)。在致死的人中,有百分之三十五(一萬八千二百人)到百分之四十(兩萬零八百人),是來源於槍擊。

  另據二零零八年的一份資料顯示:每年超過十萬人(包括兩萬多兒童和少年)受到槍擊,其中三萬多人(包括三千兩百多兒童和少年)死亡。但搜索不到其他年份的準確數據。如果以此對比上面腦受傷致死的資料,大約三分之二的人是被命中腦部而死亡。

Zhou-Enlai

沁園春★重懷周公★和毛詞原韻


  久逝容光,歲月塵封,思念遠飄。
  記當年國喪,陰雲翳翳;人民心碎,淚雨滔滔。
  萬業親躬,先憂後己,誰比周公品質高?
  一生夢,為中華崛起,富裕妖嬈。

  山河自古多嬌,是烈士拋顱與折腰。
  想伍毫學社,初揚文采;南昌黃埔,盡顯風騷。
  外交和談,蜚聲宇內,政治功夫巧射雕。
  多少代,留傳奇故事,遺唱今朝。

紀念周恩來逝世三十五周年(1976-2011)

More pictures of Zhou Enlai

攝影作品《最後的時刻》題詩《沉思》

  既然历史在这儿沉思,
  我怎能不沉思这段历史?
  凝望着敬爱的人呵──
  想起您弥留的日子。

  记不得曾有过什么照片
  能使我如此激动,难以自持;
  但既非倾泻脆弱的泪滴,
  也无须慷慨陈辞。

  是一名期待惡戰的老兵
  是一面召喚風暴的旗幟
  敵人害怕您靜若懸劒
  人民信賴您穩如磐石

  仰之一分有損您的謙遜
  俯之一分背離您的質直
  那布滿面頰和手背的老年斑
  也仿佛是傲霜的梅枝

  雙眉似勇士橫提長刀
  壯乎!是革命家的鋒芒和英姿
  目光中揉動着冰與炭
  大哉!無産者的神勇與睿智

  紧闭的嘴唇昭告人们:
  这里蕴蓄着乐观的诗;
  而被钢牙挫败了的又豈止是癌,
  更有叛國者和小人的无耻!

  何谓最后的时刻?
  在我辈、这等文字诚然合适;
  而您却是永恒的永恒呀,
  除非大地寂灭,除非江河消失!

  因此我说,这是一个渺小的标题,
  人民有权否决、屏斥;
  面對這一宗伟大的记录,
  全世界为之鞠躬、仰视。

  万千工农和知识分子,
  都将您安排在洁白敞亮的位置;
  所有辉煌的展览大厅,
  竞相悬挂这同一幅绒绣锦织……

  最长寿的是民意!
  民心不死您不死!
  红色的星斗呵,您的光芒
  永远是对开拓者的战斗启示。

  假如在无产阶级的大树上
  还寄生着资产阶级政客“同志”,
  那么,但愿癣疥们牢记,牢记
  中国以哭当歌和以歌当哭的日子!

  既然历史在这儿沉思,
  我怎能不沉思这段历史?
  玩火者!休得放肆!
  十年,百年,莫妄动一根手指!

──作者公劉1978年7月29日于山西忻县


附:舟山堂藏《丙辰清明詩詞選鈔》六卷+附卷。

Let Bullet Fly (2010)

讓子彈飛(2010)
  有時真不知道該怎麽評論中國電影。不能說是沒有精華,可是某些『精華』又疑似糟粕。許多「片子」根本就是騙子,從電影名字開始就在愚弄和嘲笑觀衆(和觀衆的智商)。于是有着『雪亮眼睛』的部分觀衆在醒悟了自己的時間和金錢被搶劫之後,又反過來浪費時間和精力大駡演員、導演、直至編劇。唯有廠商樂呵呵高高在上地看着從宣傳到影評的整套鬧劇,確信這種賺錢模式依然有效。
  長話短說,那位『喝了咱的酒』就上下通氣的傢伙,不知和誰誰誰通了氣,在那個青黃不接的年代矮子裏拔將軍混上個「影帝」也就算了,後來『欺我中華無人』開始穿起了「導演」的馬甲,數來寶十年下來算上這部就是第四部可以冠以「作品」的東東了。本來聽說是一部西部片,又說混雜了其他什麽高調的魂魄,觀衆看完了認爲是一部喜劇,寓含時事諷刺,可導演竟然解釋說這是一部兒童片(或是童話?)。
  爲什麽不直接說這片子很幼稚呢,也比罵它爛要強吧?當然,從電影一開始那個咱們老百姓喜聞樂見的丑角出現,真像是一部賀歲片。可這大新年的笑料剛過,本片就奔着清明節去了,不禁讓人揣測到底是以兒童節收場呢,還是閃現一下『党的生日』,接著過建軍節,運氣好的話,也許連帶着國慶節、聖誕節,能讓人盼著下一個新年了。難道文化就這麽反映時代的精神?──錢很多,燒的都是空虛!
  于是中國的各大影院又一次成了本科電影學院的再教育校外補習班:廠商提供教室,製片當老師,導演當班長,所有觀衆是收費旁聽生,坐高級板凳,只能記筆記,不許課堂討論不許提問,也不必考試。補習班的收入就是最後的學期總結。當然,像本片這樣有諸多「大碗儿」參與的製作,它的大名會流傳很久,甚至成为政治新闻和小道消息的『标题党』。当下时事說韩国朝鲜互放「假炮」威慑对方,为什么還沒听到枪声?舆论表示理解地說:『讓子弹飛一会儿吧』……
  没错,《讓子弹飛》讲述了土匪和骗子之间一段(经过改编的)传奇故事。宣传上一定会說它『很黃很暴力』,而编剧会告诉你和原著已经『完全没有关系』,更多的是『自己的臆断』。言外之意,都是瞎编的,如果有什么差错,也是大家『玩票儿』沒玩儿好罢了。若是没看明白导演编剧的深意,也請诸位『讓子弹飛一会儿吧』。还是俗話說的好:癩蛤蟆爬脚面──不咬人,它『各應』人啊!

參看其他影評:
☆、最新国际评论:朝鲜──肇事孤儿;韩国──让子弹飞;美国──大笑江湖;中国──非诚勿扰+Ⅱ
☆、继《让子弹飞》热映之后,发解委转型电影新片《让油价飞》今天将在全国热映,预计票房收入过亿;括土资源部不甘落后,准备年底也播出贺岁新片《让地价飞》;无独有偶,住贱部也准备联合张阴谋拍摄大片《让房价飞》。
☆、现在的女人白天『非诚勿扰』,晚上『让子弹飞』,于是就有了一堆『肇事孤儿』。
☆、導演想告訴觀衆的是:看老子幽默吧,老子厲害吧,老子牛叉吧?
☆、這部電影讓人會產生“才華浪費”=“炫耀”=“自戀”=“男性沙文主義”的遞進聯想。
☆、就是讲一个字——“玩”,怎么傻扠怎么玩。
☆、不会讲故事的导游不是好导演。
☆、姜文太自戀,整部影片就是“看姜文如何往自己的胸口上貼胸毛”。
☆、他做的其實就是瓶可樂,你可以說他二氧化碳太多,但請別說他酒精濃度不夠。
☆、如果把姜文的才華比做酒,把《讓子彈飛》看成瓶,那麼整個觀影過程,就是眼睜睜地看著酒從銀幕上流出來。
☆、明明是只是個小瓶子,卻放了太多酒!導演倒是不打算浪費一滴酒,可他把整瓶酒都浪費掉了。
☆、照《讓子彈飛》裏土匪們的說法就是:不是他媽的不用力,是他媽的太他媽的用力了。


轉載:一部不入流的影片——看《让子弹飞》
  送交者:钟楼散人(2010年12月29日04:29:11于萬維《影视娱乐》)
  看《让子弹飞》,只看了一半——既然上半段是糠罗卜,如果指望下半段陡然变做老山参,显然不合逻辑。
  期望本来不高,可《让子弹飞》之烂,仍让人小吃一惊。可以看出,导演拼上了老命,力图让这部影片既逗笑好看,又寓意深刻,可惜碍于水平,影片中充斥的只是荒诞不经的情节、粗俗不堪的场景和淡而无味的对白。
  《让子弹飞》通篇都烂(只看了半部,所以应说“半篇都烂”),下面仅举几个烂点。
  影片开始,子弹射出,半晌不见动静。张麻子以哲学家的口吻说道:让子弹飞一会儿。随后,人仰马翻。荒诞本是一种电影手法,但姜导显然不懂这样一个道理:“飞流直下三千尺”是佳句,而“飞流直下三亿尺”则是歪诗。
  一句既不风趣、而且低俗的“算逑”,被导演当做宝贝,让黄四爷和替身你一遍、我一遍,足足念叨了二十来遍,令人听得由烦生厌,而且不禁有些可怜发哥了。
  小六身为马匪,竟为证明自己不曾多吃小贩一碗粉而剖肚开肠。如此展示侠肝义胆,不自然,不合理,极为矫情做作。艺术夸张必不可少,但不能任意而为,姜导在这一点上完全不知分际。
  黄四爷口出英文“Dollar”,原无不可,只是这句洋文又被导演当成宝贝,翻来覆去,说个没完,最后意犹未足,还要黄四爷再解释一句:“Dollar”就是美元。乖乖隆的冬,观众就是再傻,也要被气得变聪明,傻笑不出来了。
  胡万怀疑张麻子是真是假,问道:“你是张麻子,脸上怎么没有麻子?”张麻子立即反问:“黄四郎脸上有四吗?”拜托,这是在抖机灵吗?在北京街头随便拉来一位侃爷,说出话来都要比这精彩百倍。
  张麻子和马县长之间一段“睡你,你睡”的戏,低俗无聊之极,典型的拿肉麻当有趣。这是在媚俗吗?姜导自我期许甚高,想来还不至于屈尊媚俗。如果不是媚俗,这段戏便是导演自己趣味取向的体现,于是整部影片的格调便有了一个注脚。
  《让子弹飞》大腕云集,星光闪耀。姜文,葛优,陈坤,周润发,刘嘉玲,个个都是当红巨星,每一位都有无数粉丝捧场。然而,艺术不是算术。大腕虽多,只能保证票房,而不能保证影片质量。
  影片拍得烂,已不是好事。如果明明排得烂,却自以为拍得好,那就更糟。《让子弹飞》首映之前,得不及观众叫好,这几位大腕自己先把这部影片说成世间少、中国无的上上之作。倘若这只是违心的场面话,倒也无可厚非,假如竟是发自内心,那就真让人无语了。

If You Are The One II (2010)

非诚勿扰(2010)
★、上联:离了还是好朋友。下联:好合好散。横批:不过了!───离婚典礼
★、葛:我宣布芒果女士和李香山先生的离婚典礼现在开始!请二位旧人入场!(音乐)停!今天我们在一起见证,我们共同的好朋友芒果和香山结束他们维持五年的婚姻,从夫妻变回熟人。请你们对钱发誓,以下你们做出的承诺是诚实可信深思熟虑义无反顾的。芒果你诚实的回答我,把手放上!(注:指放在钱上)从今往后不论香山多么富有、多么健康、多么爱你、你都不愿和他在一起吗?
  姚:不愿意。
  葛:香山你诚实的回答我,从今往后不论芒果多么漂亮、多么动人、多么爱你,你都不愿和他在一起吗?
  孙:不愿意。
  葛:下面请二位交回戒指。我替你们挖坑埋了。要最后一吻吗?
  众:要!
  姚:不必了吧?
  孙:那就不必了!
  葛:他们说不必了。下面剪喜字!那就像熟人一样握个手吧。去呀去呀!再像熟人一样拥个抱吧,离了也是好朋友!散买卖不散交情。二位倒香槟!
  孙:不过啦!(吼的)
  又☆酒会结束后车上姚对葛说:姓秦的谢谢你啊!办的比我们结婚时都热闹。
★、一辈子很短,我愿意和你将错就错。──秦奋向梁笑笑求婚
★、人生就是一场修行。──秦奋
★、什么呀,整个一大通铺。活着扎人堆里,死了还是人挤人。──孙红雷饰演的李香山不满墓地太拥挤
★、你是找感情的,我是找婚姻的!我们俩就走岔道了。──秦奋总结和梁笑笑的关系
★、你是没赶上我好的时候……这两年,是有点虚了。──秦奋被梁笑笑体力不支,狼狈不堪。
★、你爱,或者不爱我,爱就在那里,不增不减。──香山女儿朗诵仓央嘉措的《见与不见》。
★、你的就是我的,我的还是我的。──片尾笑笑对秦奋所说。
★、你能对着钱发誓,无论对方将来多么富有,多么健康,多么爱你,都不在和他在一起吗?──离婚典礼上证婚人秦奋问芒果的话。
★、别着急,北极一时半会融化不了,就算真融化了,企鹅宝宝也会没事的。
★、你知道北极熊为什么不吃企鹅宝宝么?(无聊拍卖会的女主持)答:不知道,为什么呢?(秦奋)说:因为企鹅宝宝在南极,跟北极熊根本见不着面。讨厌……(无聊女主持人画外音)──一场无聊的拍卖活动,找一坨明星出风头,找一坨记者全城炒作,就算剑南春跟企鹅宝宝一毛钱关系也没有,也能让女主持人红的各节目头牌!!!
★、在商言商,要么你就别拿人钱,拿了人钱就得说人家好。
★、婚姻怎么选都是错的,长久的婚姻就是将错就错。
★、居家过日子犯不着肝胆相照,虚着点儿和气。──笑笑怪秦奋老撒谎,秦奋如此狡辩。
★、帝王般的享受,就是把脚当脸伺候着。──秦奋在足浴中心的感悟。
★、幸福不一定在一起,倒霉一定在一起。──秦奋语
★、怕,像走夜路,敲黑门,你不知道门后是五彩世界还是万丈深渊,怕一脚踏空,怕不是结束而是开始。──有人问香山怕不怕死,香山如此回答。
★、我们就是知心不换命,能托孤不能托妻的朋友。──香山如此形容自己和秦奋的关系。
★、把我种在花盆里,我天天对你们笑。──李香山让秦奋把自己的骨灰种在花盆里
★、散买卖不散交情。──离婚典礼贺词。
★、早知道这么冷淡,还不如娶那一年一次的呢!起码一年还有一次!──秦奋抱怨梁笑笑
★、死是另一种存在,相对于生,只会生活是一种残缺。──香山的女儿在人生告别会上的话。
★、秦奋说起选秀的评委:“冒充上流社会,哪有上流啊?全是下流。这就是一帮寄生虫,骗吃骗喝骗炮打。”一旁的芒果说,“别骂了,再骂连自己都骂了。”
★、谁动感情谁完蛋。──秦奋得知梁笑笑对自己仅限于好感,伤心地说
★、这不是病,这是命,我的命找我来了,我只能从命。──李香山得癌之后的感悟。
★、这辈子忙挣钱,忙闹感情危机,把生活都忙没了。

附:仓央嘉措情歌選編。

Tshangs dbyangs Rgya mtsho

  自恐多情损梵行,入山又怕误倾城。
  世间安得双全法,不负如来不负卿。


  六世达赖仓央嘉措(Tshangs dbyangs Rgya mtsho),意为“梵音海”,藏南门隅之邬坚岭地方人,藏历第十一绕迥之水猪年(一六八三年,清康熙二十二年)生于一个农民家庭。从小资质灵敏,曾拜五世班禅为师,落发受戒,法名:罗桑仁钦仓央嘉措。后被迎至布达拉宫,在著名学者桑杰嘉措的直接培养下,学习天文历算、医学及文学等,对诗的造诣很深。火狗年(一七零六年),仓央嘉措被『解送』北京途中,据说行至青海湖滨时去世,时年二十四岁。有的记载中说他是舍弃名位、决然遁去,周游蒙藏印等地,后来在阿拉善去世。

考据仓央嘉措的情歌

  仓央嘉措之一生虽传奇如神話,然其功底遠未及“学贯藏汉”之水平。此非怪也,蓋其修行在於佛教,所寫詩歌,實為「金剛道歌」,原本藏文。其歌者,常引女性,比擬也,隱喻也,或有所指代,未必關乎男女之情。後世之人,感其經歷坎坷、命運多殆,而英年早逝,遂賦以『情僧』之號,恐謬之所宗。
  今之所譯其詩,或多有轉譯自其他漢譯,甚或引申原意以求風雅者。以漢譯標準之『信、達、雅』,實失「信」也。然此宗教、歷史之爭,非文學藝術之範疇。正是『人生自是有情痴,此時不關風和月』。佳美之態,流暢之文,人所共享。以下摘錄于道泉之白話文本(較近原意)及曾缄之七言文本(多有潤色)。

附《仓央嘉措情歌選編》:

☆《見與不見》──English translation by Divertida LZ
  你见,或者不见我      You see me, or not see me
  我就在那里,不悲不喜    I am there - not sad, nor happy
  你念,或者不念我      You miss me, or not miss me
  情就在那里,不来不去    The feeling is there – not come, nor leave
  你爱,或者不爱我      You love me, or not love me
  爱就在那里,不增不减    The love is there - not more not less
  你跟,或者不跟我      You follow me, or not follow me
  我手就在你手里,不舍不弃  My hands are in yours – not give up not apart
  来我的怀里,或者      Come to my arms, or
  让我住进你的心里      Let me live in your heart
  默然 相爱         Love quietly
  寂静 欢喜         and Joy peacefully

☆
  在那东山顶上,升起皎洁的月亮。
  少女俏丽的脸蛋,浮现在我心上。
☆
  心中爱慕的人儿,与你白头偕老。
  如从大海深处,采来奇珍异宝。
☆
  邂逅相遇的娇娘,浑身散发着芳香。
  恰似白色的松石,拾起又抛向路旁。
☆
  已是意马心猿,黑夜里也难以安眠。
  白日里又无结果,不由心灰意懒。
☆
  已过了开花的时光,蜜蜂儿不必忧伤。
  既然是缘分已尽,我何必枉自断肠。
☆
  凛凛草上霜,飕飕寒风起。
  鲜花与蜜蜂,怎能不分离?
☆
  野鸭恋上了沼地,一心要稍事休息。
  谁料想湖面封冻,这心愿只得放弃。
☆
  为爱人祈福的幡儿,竖在柳树旁边。
  看守柳树的阿哥,请别用石头打它。
☆
  用手写下的黑字,已经被雨水浸湿。
  心中没有写出的情意,怎么也不会擦去。
☆
  印在纸上的图章,不会倾诉衷肠。
  请把信义的印戳,打在各自的心房。
☆
  默想上师的尊面,怎么也没能出现。
  没想那情人的脸蛋儿,却栩栩地在眼前出现。
☆
  若能把这片苦心,全用到佛法方面。
  只在今生今世,要想成佛不难。
☆
  时来运转的时候,竖起了祈福的宝幡。
  有一位名门闺秀,邀我去她家赴宴。
☆
  露出了皓齿微笑,向着满座顾盼。
  目光从眼角过来,落在小伙儿的脸上。
☆
  若依了情妹的心意,今生就断了法缘;
  若去那深山修行,又违了姑娘的心愿。
☆
  贡布小伙的心,好像蜜蜂撞上蛛丝。
  刚刚缠绵了三天,又想起佛法无边。
☆
  启齿嫣然一笑,把我的魂儿勾跑。
  是否真心相爱,请发一个誓来。
☆
  真情属于自己,不知它的价值。
  一旦被人夺去,不由又气又急。
☆
  和我相爱的女友,已被别人娶走。
  心中相思成疾,身上皮枯肉瘦。
☆
  情侣被人偷走,只得去打卦求签。
  那位纯真的姑娘,在我梦中浮现。
☆
  初三的月儿光光,银辉清澄明亮。
  请对我发个誓约,誓言象满月一样。
☆
  我和情人幽会,在南谷的密林深处。
  没有一人知情,除了巧嘴的鹦鹉。
  可爱的巧嘴鹦鹉啊,千万别在人前泄露。
☆
  胡须满腮的老狗,心眼比人还机灵。
  别说我黄昏出去,回来时已是黎明。
☆
  锦被里温香软玉,情人儿柔情蜜意。
  莫不是巧使机关,想骗取少年的情意。
☆
  洁白的仙鹤,请把双翅借我。
  不会远走高飞,去理塘转转就回。
☆
  一箭射中鹄的,箭头钻进地里。
  遇到了我的恋人,魂儿已跟她飞去。
☆
  柳树爱上了小鸟,小鸟对柳树倾心。
  只要情投意合,鹞鹰也无隙可乘。
☆
  恋人美丽俊俏,更加情意绵绵。
  如今要进山修法,行期延了又延。
☆
  骏马起步太早,缰绳拢得晚了。
  没有缘分的情人,知心话说得早了。
☆
  一百棵树木中间,选中了这棵杨柳。
  可是我从不知道,树心已经腐朽。
☆
  山上的草坝黄了,山下的树叶落了。
  杜鹃若是燕子,飞向故乡多好!
☆
  会说话的鹦鹉,从贡布来到这里。
  我那心上的人儿,是否平安健康。
☆
  一双眸子下边,泪珠象春雨连绵。
  冤家你若有良心,好好地看我一眼。
☆
  在离别远行的时候,送你的是多情的秋波。
  永远以微笑和真情,来把你思念相迎。
☆
  翠绿的布谷鸟儿,合适要去门隅?
  我要给美丽的姑娘,寄过去思念的讯息。
☆
  东方的工布巴拉,多高也不在话下。
  牵挂着我的情人,心儿象骏马飞奔。
☆
  达不地方气候温和,达布姑娘长得俊俏。
  如果没有“无常死神”,他们定能白头偕老。
☆
  风啊,从哪里吹来?风啊,从故乡吹来!
  我幼年相爱的情侣啊,风儿把她带来!
☆
  在那西面峰峦顶上,朵朵白云在漂荡。
  我那意增旺姆啊,给我燃起祝福的高香。
☆
  大河中的金龟,它能将水乳分开。
  我和情人的身心,没有谁能够拆开。
☆
  蜂儿生得太早,花儿又开得迟了。
  缘分浅薄的情人啊,相逢实在太晚 了。
☆
  仅仅穿上红黄袈裟,假若就成了喇嘛。
  那湖上的金黄野鸭,岂不也能超度众生。
☆
  涉水渡河的忧愁,船夫可以为你除去。
  情人逝去的悲哀,有谁帮你消忧?
☆
  到处在散布留言,留言令我心烦。
  我心中爱恋的情人啊,眼睁睁望着她远去。
☆
  双亲不在眼前,故乡远在他方。
  眼前不用悲伤,情人胜过亲娘。
☆
  我言慢行行,您道君且住,问君此心可悲切,何日再相会?
  风从哪里吹来,风从故乡吹来。少年时代的情侣,风儿把她带来。
☆
  天空洁白仙鹤,请把双翅借我,不到远处去飞,只到理塘就回!
☆
  初三月儿弯弯,清辉洒满心田。请您答应我吧,要比十五还圆。
☆
  东山崔嵬不可登,绝顶高天明月生,
  红颜又惹相思苦,此心独忆是卿卿。
☆
  住进布达拉宫,我是雪域最大的王。
  流浪在拉萨街头,我是世间最美的情郎。
☆
  发发草上霜冻,再加使者寒风,
  当然就是他俩,拆散花儿蜜蜂!
☆
  写的黑色小字,已被雨水冲去;
  未画的心的图画,要擦也擦不掉它!
☆
  盖的黑色印章,不会把话来讲,
  请将信义小印,嵌在各自心上。
☆
  心中热烈地爱恋,问伊能否作侣伴?
  答道:除非死别,活着便决不离散!
☆
  我观修的喇嘛的脸面,却不能在心中显现;
  没观修的情人容颜,却在心中明朗地映见。
☆
  在那众人之中,莫露我俩真情,
  你若心中有意,请用眉眼传递!
☆
  虽然肌肤相亲,却不知情人真心;
  不如地上画图,能算准天上星辰。
☆
  若随美丽姑娘心,今生便无学佛份,
  若到深山去修行,又负姑娘一片情。
☆(另譯)
  自恐多情损梵行,入山又怕误倾城。
  世间安得双全法,不负如来不负卿。

☆
  那一刻 我升起风马 不为乞福 只为守候你的到来。
  那一日 垒起玛尼堆 不为修德 只为投下心湖的石子。
  那一月 我摇动所有的经筒 不为超度只为触摸你的指尖。
  那一年 磕长头在山路 不为觐见 只为贴着你的温暖。
  这一世 转山转水转佛塔 不为轮回只为途中与你相见。
  那一天 闭目在经殿香雾中 蓦然听见你颂经中的真言。
  那一月 我摇动所有的经筒 不为超度只为触摸你的指尖。
  那一年 磕长头匍匐在山路 不为觐见只为贴着你的温暖。
  那一世 转山转水转佛塔啊 不为修来生只为途中与你相见。
  那一夜 我听了一宿梵唱 不为参悟只为寻你的一丝气息。
  那一月 我转过所有经筒 不为超度只为触摸你的指纹。
  那一年 我磕长头拥抱尘埃 不为朝佛只为贴着你的温暖。
  那一世 我翻遍十万大山 不为修来世只为路中能与你相遇。
  那一瞬,我飞升成仙,不为长生,只为佑你平安喜乐。
☆
  那一天,闭目在经殿的香雾中,蓦然听见你诵经的真言。
  那一月,我转动所有的转经筒,不为超度只为触摸你的指尖。
  那一年,我磕长头匍匐在山路,不为觐见只为贴着你的温暖。
  那一世,我转山转水转佛塔呀,不为修来世只为在途中与你相見。
☆
  第一最好不相见,如此便可不相恋。
  第二最好不相知,如此便可不相思。
  第三最好不相伴,如此便可不相欠。
  第四最好不相惜,如此便可不相忆。
  第五最好不相爱,如此便可不相弃。
  第六最好不相对,如此便可不相会。
  第七最好不相误,如此便可不相负。
  第八最好不相许,如此便可不相续。
  第九最好不相依,如此便可不相偎。
  第十最好不相遇,如此便可不相聚。
  但曾相见便相知,相见何如不见时。
  安得与君相诀绝,免教生死作相思。


附《六世达赖情歌六十六首》:
其一
心头影事幻重重,化作佳人绝代容,恰似东山山上月,轻轻走出最高峰。
注:此言倩影之来心上,如明月之出东山。

其二
转眼苑枯便不同,昔日芳草化飞蓬,饶君老去形骸在,变似南方竹节弓。
注:藏南、布丹等地产良弓,以竹为之。

其三
意外娉婷忽见知,结成鸳侣慰相思,此身似历茫茫海,一颗骊珠乍得时。

其四
邂逅谁家一女郎,玉肌兰气郁芳香,可怜璀璨松精石,不遇知音在路旁。

其五
名门娇女态翩翩,阅尽倾城觉汝贤,比似园林多少树,枝头一果娉鮓妍。
注:以枝头果状伊人之美,颇为别致。

其六
一自消魂那壁厢,至今寤寐不断忘,当时交臂还相失,此后思君空断肠。

其七
我与伊人本一家,情缘虽尽莫咨嗟,清明过了春归去,几见狂蜂恋落花。

其八
青女欲来天气凉,蒹葭和露晚苍苍,黄蜂散尽花飞尽,怨杀无情一夜霜。
注:意谓拆散蜂与花者霜也。

其九
飞来野鹜恋丛芦,能向芦中小住无,一事寒心留不得,层冰吹冻满平湖。

其十
莫道无情渡口舟,舟中木马解回头,不知负义儿家婿,尚解回头一顾不。
注:藏中渡船皆刻木为马,其头反顾。

其十一
游戏拉萨十字街,偶逢商女共徘徊,匆匆绾个同心结,掷地旋看已自开。

其十二
长干小生最可怜,为立祥幡傍柳边,树底阿哥须护惜,莫教飞石到幡前。
注:藏俗于屋前多竖经幡,用以祈福。此诗可谓君子之爱人也,因及于其屋之幡。

其十三
手写瑶笺被雨淋,模糊点画费探寻,纵然灭却书中字,难灭情人一片心。

其十四
小印圆匀黛色深,私钳纸尾意沉吟,烦君刻画相思去,印入伊人一寸心。
注:藏人多用圆印,其色作黛绿。

其十五
细腰蜂语蜀葵花,何日高堂供曼遮,但使侬骑花背稳,请君驮上法王家。
注:曼遮,佛前供养法也。

其十六
含情私询意中人,莫要空门证法身,卿果出家吾亦逝,入山和汝断红尘。
注:此上二诗,于本分之为二,言虽出家,亦不相离。前诗葵花,比意中人,细腰蜂所以自况也。其意一贯,故前后共为一首。

其十七
至诚皈命喇嘛前,大道明明为我宣,无奈此心狂未歇,归来仍到那人边。

其十八
入定修观法眼开,乞求三宝降灵台,观中诸圣何曾见,不请情人却自来。

其十九
静时修止动修观,历历情人挂眼前,肯把此心移学道,即生成佛有何难。
注:以上二诗亦为一首,于分为二。藏中佛法最重观想,观中之佛菩萨,名日本尊,此谓观中本尊不现,而情人反现也。昔见他本情歌二章,余约其意为蝶恋花词云:静坐焚香观法像,不见如来,镇日空凝想。只有情人来眼上,亭亭铸出娇模样。碧海无言波自荡,金雁飞来,忽露惊疑状。此事寻常君莫怅,微风皱作鳞鳞浪。前半阕所咏即此诗也。

其二十
醴泉甘露和流霞,不是寻常卖酒家,空女当垆亲赐饮,醉乡开出吉祥花。
注:空行女是诸佛眷属,能福人。

其二十一
为竖幡幢诵梵经,欲凭道力感娉婷,琼筵果奉佳人召,知是前朝佛法灵。

其二十二
贝齿微张笑靥开,双眸闪电座中来,无端觑看情郎面,不觉红涡晕两腮。

其二十三
情到浓时起致辞,可能长作玉交枝,除非死后当分散,不遣生前有别离。
注:前二句是问词,后二句是答词。

其二十四
曾虑多情损梵行,入山又恐别倾城,世间安得双全法,不负如来不负卿。

其二十五
绝似花蜂困网罗,奈他工布少年何,圆成好梦才三日,又拟将身学佛陀。
注:工布藏中地名,此女子诮所欢男子之辞

其二十六
别后行踪费我猜,可曾非议赴阳台,同行只有钗头凤,不解人前告密来。
注:此疑所欢女子有外遇而致恨钗头凤之缄口无言也。原文为髻上松石,今以钗头凤代之。

其二十七
微笑知君欲诱谁,两行玉齿露参差,此时心意真相属,可肯侬前举誓词。

其二十八
飞来一对野鸳鸯,撮合劳他贳酒娘,但使有情成眷属,不辞辛苦作慈航。
注:拉萨酒家撮合疾男怨女,即以酒肆作女闾。

其二十九
密意难为父母陈,暗中私说与情人,情人更向情人说,直到仇家听得真。

其三十
腻婥仙人不易寻,前朝遇我忽成禽,无端又被卢桑夺,一入侯门似海深。
注:腻婥拉荣,译言为夺人魂魄之神女。卢桑人名,当时有力权贵也。藏人谓此诗有故事,未详。

其三十一
明知宝物得来难,在手何曾作宝看,直到一朝遗失后,每思奇痛彻心肝。

其三十二
深怜密爱誓终身,忽抱瑟琶向别人,自理愁肠磨病骨,为卿憔悴欲成尘。

其三十三
盗过佳人便失踪,求神问卜冀重逢,思量昔日天真处,只有依稀一梦中。
注:此盗亦复风雅,唯难乎其为失主耳。

其三十四
少年浪迹爱章台,性命唯堪寄酒怀,传语当垆诸女伴,卿如不死定常来。
注:一云:当垆女子未死日,杯中美酒无尽时,少年一身安所托,此间乐可常栖迟。此当垆女,当是仓央嘉措夜出便门私会之人。

其三十五
美人不是母胎生,应是桃花树长成,已恨桃花容易落,落花比汝尚多情。
注:此以桃花易谢,比彼姝之情薄。

其三十六
生小从来识彼姝,问渠家世是狼无,成堆血肉留难住,奔去荒山何所图。
注:此竟以狼况彼姝,恶其野性难驯。

其三十七
山头野马性难驯,机陷犹堪制彼身,自叹神通空具足,不能调伏枕边人。
注:此又以野马况之。

其三十八
羽毛零乱不成衣,深悔苍鹰一怒非,我为忧思自憔悴,那能无损旧腰围。
注:鹰怒则损羽毛,人忧亦亏形容,此以比拟出之。

其三十九
浮云内黑外边黄,此是天寒欲雨霜,班弟貌僧心是俗,明明末法到沧桑。
注:班弟教名,此藏中外道,故仓央嘉措斥之。

其四十
外虽解冻内偏凝,骑马还防踏暗冰,往诉不堪逢彼怒,美人心上有层冰。
注:谓彼美外柔内刚,惴惴然常恐不当其意。

其四十一
弦望相看各有期,本来一体异盈亏,腹中顾兔消磨尽,始是清光饱满时。
注:此与杜子美所却月中桂,清光应更多同意,藏中学者,谓此诗以月比君子,兔比小人,信然。原文甚晦,疑其上下句有颠倒,余以意通之,译如此。

其四十二
前月推移后月行,暂时分手不须衰,吉祥白月行看近,又到佳期第二回。
注:藏人依天竺俗,谓月满为吉祥白月。

其四十三
须弥不动住中央,日月游行绕四方,各驾轻车投熟路,未须却脚叹迷阳。
注:日月皆绕须弥,出佛经。

其四十四
新月才看一线明,气吞碧落便横行,初三自诩清光满,十五何来皓魄盈?
注:讥小人小得意便志得意满。

其四十五
十地庄严住法王,誓言诃护有金刚,神通大力知无敌,尽逐魔军去八荒。
注:此赞佛之词。

其四十六
杜宇新从漠地来,天边春色一时回,还如意外情人至,使我心花顷刻开。
注:藏地高寒,杜宇啼而后春至,此又以杜宇况其情人。

其四十七
不观生灭与无常,但逐轮回向死亡,绝顶聪明矜世智,叹他于此总茫茫。
注:谓人不知佛法,不能观死无常,虽智实愚。

其四十八
君看众犬吠狺狺,饲以雏豚亦易训,只有家中雌老虎,愈温存处愈生嗔。
注:此又斥之为虎,且抑虎而扬犬,读之可发一笑。

其四十九
抱惯娇躯识重轻,就中难测是深情,输他一种觇星术,星斗弥天认得清。
注:天上之繁星易测,而彼美之心难测,然既抱惯娇躯识重轻矣,而必欲知其情之深浅,何哉?我欲知之,而彼偏不令我知之,而我弥欲知之,如是立言,是真能勘破痴儿女心事者,此诗可谓妙文,嘉措可谓快人。

其五十
郁郁南山树草繁,还从幽处会婵娟,知情只有闲鹦鹉,莫向三叉路口言。
注:此野合之词。

其五十一
拉萨游女漫如云,琼结佳人独秀群,我向此中求伴侣,最先属意便为君。
注:琼结地名,佳丽所自出。杜少陵诗云:燕赵休矜出佳丽,后宫不拟选才人。此适与之相反。

其五十二
龙钟黄犬老多髭,镇日司阍仗尔才,莫道夜深吾出去,莫言破晓我归来。
注:此黄犬当是为仓央嘉措看守便站门者。

其五十三
为寻情侣去匆匆,破晓归来积雪中,就里机关谁识得,仓央嘉措布拉宫。
注:以上二诗原本为一首,而于本分之。

其五十四
夜走拉萨逐绮罗,有名荡子是汪波,而今秘密浑无用,一路琼瑶足迹多。
注:此记更名宕桑汪波,游戏酒家,踏雪留痕,为执事僧识破事。

其五十五
玉软香温被裹身,动人怜处是天真,疑他别有机权在,巧为钱刀作笑颦。

其五十六
轻垂辫发结冠缨,临别叮咛缓缓行,不久与君须会合,暂时判袂莫伤情。
注:仓央嘉措别传言夜出,有假发为世俗人装,故有垂发结缨之事。当是与所欢相诀之词,而藏人则谓是被拉藏汗逼走之预言。

其五十七
跨鹤高飞意壮哉,云霄一羽雪皑皑,此行莫恨天涯远,咫尺理塘归去来。
注:七世达赖转生理塘,藏人谓是仓央嘉措再世,即据此诗。

其五十八
死后魂游地狱前,冥王业镜正高悬,一困阶下成禽日,万鬼同声唱凯旋。

其五十九
卦箭分明中鹄来,箭头颠倒落尘埃,情人一见还成鹄,心箭如何挽得回?
注:卦箭卜巫之物,藏中喇嘛用以决疑者。此谓卦箭中鹄,有去无还,亦如此心驰逐情人,往而不返也。

其六十
孔雀多生印度东,娇鹦工布产偏丰,二禽相去当千里,同在拉萨一市中。

其六十一
行事曾叫众口哗,本来白璧有微瑕,少年琐碎零星步,曾到拉萨卖酒家。

其六十二
鸟对垂杨似有情,垂杨亦爱鸟轻盈,若叫树鸟长如此,伺隙苍鹰那得撄?
注:虽两情缱绻,而事机不密,亦足致败,仓央嘉措于此似不远噬脐之悔。

其六十三
结尽同心缔尽缘,此生虽短意缠绵,与卿再世相逢日,玉树临风一少年。

其六十四
吩咐林中解语莺,辩才虽好且休鸣,画眉阿姊垂杨畔,我要听他唱一声。
注:时必有以不入耳之言,强聒于仓央嘉措之前者。

其六十五
纵使龙魔逐我来,张牙舞爪欲为灾,眼前苹果终须吃,大胆将他摘一枚。
注:龙魔谓强暴,苹里喻佳人,此大有见义不为无勇之慨。

其六十六
但曾相见便相知,相见何如不见时?安得与君相诀绝,免教辛苦作相思。
注:强作解脱语,愈解脱,愈缠绵,以此作结,悠然不尽。或云当移在三十九首后,则索然矣。


摘自中国藏学出版社《情天一喇嘛》。

打油詩

  (汉)劉 邦:大風歌
大風起兮雲飛揚,威加海內兮歸故鄉,安得猛士兮守四方。

  (南北朝)斛律金:敕勒歌
敕勒川,陰山下,天似穹廬,籠蓋四野。天蒼蒼,野茫茫,風吹草地見牛羊。

  (唐)張打油:詠雪
江山一籠統,  The world is in grey cell
井口似窟窿。  Mysterious hole over a well
黃狗身上白,  Yellow dog becomes white
白狗身上腫。  White dog looks swell

  (唐)張打油:詠雪題壁
六出九天雪飄飄,恰似玉女下瓊瑤。有朝一日天晴了,使掃帚的使掃帚,使鍬的使鍬。

  (唐)張打油:南陽
天兵百萬下南陽,也無援救也無糧。有朝一日城破了,哭爹的哭爹,哭娘的哭娘!

  (宋)苏东坡:长脸
天平地阔路三千,遥望双眉云汉间; 去年一滴相思泪,今日方流到嘴边。

  (宋)赵匡胤:日出
欲出未出光辣达,千山万山如火发,须臾走上天上来,赶却流星赶却月。

  詠月詩
未离海底千山黑,才到中天万国明。
朗朗浩浩照长夜,掩尽微微无数星。(趙劻胤)
滔滔宏愿因之起,昂挺余躯拯万灵。
长持此志成永志,百战问鼎开太平。(朱元璋)

  (明)朱元璋:詠鷰子磯
燕子矶兮一秤砣,長虹作杆又如何?天邊彎月是挂鈎,稱我江山有幾多。

  (明)朱元璋:鸡叫
鸡叫一声撅一撅,鸡叫两声撅两撅。三声唤出扶桑来,扫退残星与晓月。

  (明)朱元璋:天地
天作罗帐地为毯,日月星辰伴我眠。通宵不敢长伸腿,恐将江山一脚穿。

  (清)张 英:回家书让地
一纸书来只为墙,让他三尺又何妨?长城万里今犹在,不见当年秦始皇。

  (清)楊遇春:臥彿寺口占一絕
你倒睡得好,一睡百事了。我若陪你睡,江山誰人保。(注:《一代军师》第三十章,荆迟口占詩:
佛爷睡得好,一睡百事了,我欲效他睡,狼烟无人扫。)

  毛泽东:天井
天井四方方,周围是高墙。清清见卵石,小鱼围中央。只喝井里水,永远养不长。

Chinese Translation of Poems

以下是周莲波(不寒)的兩首譯詩。其中《綠袖》和原詩對照,缺第三、五、六、八節,試此補全。

綠袖

我思斷腸,伊人不臧。
棄我去遠,抑郁難當。
我心相屬,日久月長。
卿命相依,地老天荒。

綠袖招兮,我心歡暢。
綠袖飄兮,我心癡狂。
綠袖搖兮,我心流光。
綠袖永兮,非我紅妝。

曾經沉醉,如飲瓊漿。
今棄誓言,令我神傷。
身心孤寂,如鎖鐵窗。
恍然隔世,分道镳扬。

我即相偎,柔荑纖香。
我自相許,舍身何妨。
欲求永年,此生歸償。
回首歡愛,四顧茫茫。

無奈愛意,飽受輕狂。
似此忽視,難拋迷惘。
無奈我心,累累痕傷。
如囚如禁,困鎖牢房。

伊人我戀,身束綠裝。
离行送別,踯躅仿徨。
英姿瀟灑,蹈火赴湯。
不納我心,舍愛遠航。

伊人隔塵,我亦獨身。
彼端箜篌,漸疏無望。
人既永絕,心自飄霜。
斥歡斥愛,綠袖無常。

虔誠祈禱,保佑福祥。
我心永持,情意綿長。
不棄不離,除若身亡。
惠予我愛,終成眷雙。

綠袖去矣,付與流觞。
我燃心香,寄語上蒼。
我心猶熾,不滅不傷。
伫立垅間,待伊歸鄉。
Greensleeves

Alas, my love, you do me wrong,
To cast me off discourteously.
For I have loved you well and long,
Delighting in your company.

Greensleeves was all my joy
Greensleeves was my delight,
Greensleeves was my heart of gold,
And who but my lady greensleeves.

Your vows you've broken, like my heart,
Oh, why did you so enrapture me?
Now I remain in a world apart
But my heart remains in captivity.

I have been ready at your hand,
To grant whatever you would crave,
I have both wagered life and land,
Your love and good-will for to have.

If you intend thus to disdain,
It does the more enrapture me,
And even so, I still remain
A lover in captivity.

My men were clothed all in green,
And they did ever wait on thee;
All this was gallant to be seen,
And yet thou wouldst not love me.

Thou couldst desire no earthly thing,
but still thou hadst it readily.
Thy music still to play and sing;
And yet thou wouldst not love me.

Well, I will pray to God on high,
that thou my constancy mayst see,
And that yet once before I die,
Thou wilt vouchsafe to love me.

Ah, Greensleeves, now farewell, adieu,
To God I pray to prosper thee,
For I am still thy lover true,
Come once again and love me.

# Listen to Amy Nuttall, and Sissel. .



斯市之市

问尔所之,是否如适。  
蕙兰芫荽,郁郁香芷。  
彼方淑女,凭君寄辞。  
伊人曾在,与我相知。  

嘱彼佳人,备我衣缁。  
蕙兰芫荽,郁郁香芷。  
勿用针剪,无隙无疵。  
伊人何在,慰我相思。  

(彼山之阴,深林荒址。)
(冬寻毡毯,老雀燕子。)
(雪覆四野,高山迟滞。)
(眠而不觉,寒笳清嘶。)

嘱彼佳人,营我家室。  
蕙兰芫荽,郁郁香芷。  
良田所修,大海之坻。  
伊人应在,任我相视。  

(彼山之阴,叶疏苔蚀。)
(涤彼孤冢,珠泪渐撤。)
(昔我长剑,日日拂拭。)
(寂而不觉,寒笳长嘶。)

嘱彼佳人,收我秋实。  
蕙兰芫荽,郁郁香芷。  
敛之集之,勿弃勿失。  
伊人犹在,唯我相誓。  

(烽火印啸,浴血之师。)
(将帅有令,勤王之事。)
(争斗缘何,久忘其旨。)
(痴而不觉,寒笳悲嘶。)
Scarborough Fair

Are you going to Scarborough Fair
Parsley sage rosemary and thyme
Remember me to one who lives there
She once was a true love of mine

Tell her to make me a cambric shirt
Parsley sage rosemary and thyme
Without no seams nor needle work
Then she will be a true love of mine

( On the side of hill in the deep forest green )
( Tracing of sparrow on snow crested brown )
( Blankets and bed clothes the child of maintain )
( Sleeps unaware of the clarion call )

Tell her to find me an acre of land
Parsley sage rosemary and thyme
Between the salt water and the sea strand
Then she will be a true love of mine

( On the side of hill a sprinkling of leaves )
( Washes the grave with slivery tears )
( A soldier cleans and polishes a gun )
( Sleeps unaware of the clarion call )

Tell her to reap it with a sickle of leather
Parsley sage rosemary and thyme
And gather it all in a bunch of heather
Then she will be a ture love of mine

( War bellows blazing in scarlet battalions )
( Generals order their soldiers to kill and to fight for a cause )
( They have long ago forgotten )
( Sleeps unaware of the clarion call )

# Listen to Hayley Westenra, Amy Nuttall, or original sound track by Simon and Garfunkel.

涨声响起来

最近网上流传的翻唱歌曲《涨声响起来》,歌词凄凉,写尽了草根对生活艰难的感慨。

原版:掌声响起来
孤独站在这舞台,听到掌声响起来,我的心中有无限感慨。
多少青春不在,多少情怀已更改,我还拥有你的爱。
好像初次的舞台,听到第一声喝采,我的眼泪忍不住掉下来。
经过多少失败,经过多少等等,告诉自己要忍耐。
掌声响起来我心更明白,你的爱将与我同在。
掌声响起来我心更明白,歌声交会你我的爱。
掌声响起来我心更明白,你的爱将与我同在。
掌声响起来我心更明白,歌声交会你我的爱。

改版一:
站在超市的柜台,看看啥都涨起来!我的心中悲伤又无奈。
低价东西不在,多少价格已更改,百姓买不起青菜!
回想小时的白菜,两毛钱买一大袋,我的眼泪忍不住掉下来!
多少高楼在盖,多少好车在卖,我却要勒紧腰带!
涨声响起来,我心更无奈,工资涨不过物价快!
涨声响起来,我心更明白,今后可能要吃咸菜。
生活在这个时代,哪个行业不腐败?我的心中气愤又无奈。
雷锋已经不在,社会风气已变坏,公交都提到两块!
睁开眼匆匆上班,整天忙着还房贷,快乐悠闲的生活已不在!
多少酒店忙碌,多少地摊在摆,贫富差得如此快!
涨声响起来,我心更无奈,百姓永翻不过身来。
涨声响起来,我心更明白,不如回到八十年代。

改版二:
茫然面对收银台,听到涨声响起来,我的心中有无限感慨。
多少物价上抬,多少标签已更改,我买不上新鲜菜。
辛辛苦苦这些年,赚钱总比花钱难,我的眼泪忍不住流下来。
经过多少呐喊,经过多少等待,告诉自己要忍耐。
涨声响起来,我心更明白,苦日子将与我同在。
涨声响起来,我心更明白,重担只靠你我的肩。
茫然面对收银台,听到涨声响起来,我的心中有无限感慨。
多少物价上抬,多少标签已更改,我买不上新鲜菜。
辛辛苦苦这些年,赚钱总比花钱难,我的眼泪忍不住流下来。
经过多少呐喊,经过多少等待,告诉自己要忍耐。
涨声响起来,我心更明白,苦日子将与我同在。
涨声响起来,我心更明白,重担只靠你我的肩。

改版三:
孤独站在这菜场,听到涨声响起来,我的心中有无限感慨。
多少钞票不再,多少价格已更改,我的钱还能买几根菜。
好像初次去买菜,听到第一声开价,我的眼泪忍不住掉下来。
经过多少砍价,经过多少肉痛,告诉自己要忍耐。
涨声响起来我心更明白,过去的菜价将不再。
涨声响起来我心更明白,过去的肉价将不再。
涨声响起来我心更明白,过去的楼价将不再。
涨声响起来我心更明白,钱包涨涨的感觉不再来!

改版四:
吃着馒头和咸菜,听到涨声响起来,突然间有太多的感慨。
每天萝卜白菜,盼着房价降下来,等到爱人Say Bye-Bye!
满地的方便面袋,记录着太多无奈,我的眼泪忍不住掉下来。
曾经自信豪迈,曾经坚强忍耐,最终被涨声打败。
涨声响起来泪,水流成海,有人欢笑有人悲哀。
涨声响起来泪,水流成海,钱的伟大终于明白。
涨声响起来泪,水流成海,有人欢笑有人悲哀。
涨声响起来泪,水流成海,钱的伟大终于明白。

改版五:
孤独走在这市场,看到物价涨起来,我的心中一阵心寒。
多少存款不在,多少眼泪已流干,我还是光棍一杆。
梦想有天到市场,看到股市大反弹,车子房子就从天上掉下来。
物价飙升得太快,薪水却原地徘徊,告诉自己要勒紧裤带。
“涨”声响起来,我心更明白,存款已经不够还贷款。
“涨”声响起来,我心更明白,明天只能吃稀饭和咸菜。
“涨”声响起来,我心更明白,一辈子要当个单身汉。
“涨”声响起来,我心更明白,不如嫁个有钱老太太。”

Drama: The Defense of Marriage

電視劇《婚姻保卫战》插曲

(男)你忙 你忙 你忙 你忙    
   如今月亮的光芒已赛过太阳
   女人开始闯荡 男人占领厨房
   洗衣做饭煲汤 已不是不是你的战场
   在外呼风唤雨也不是我的专长
   曾经五千年历史的女弱男强
   如今熬到女人起义 妇女解放
   迷茫 迷茫 这日子有点发慌
   迷茫 迷茫 这未来让我不敢去想
   能不能给点希望 让我看清方向
   能不能留点时间 让我告别告别往日辉煌
(女)我一心在为家而忙 希望你能多些体谅
   家里家外换个方向 把日子过得更漂亮
   我不想和你比谁强 希望你试着去欣赏
   争来争去到头来是两败俱伤
(男)如今天下的风光都被她们眺望
   女人开始变强男人不想退让
   对酒当歌弹唱 早已有模有样
   挥洒自如闯荡 这是理所应当
   曾经一家人一世的坚实后方
   如今交给男人来当
   自己换身衣服上场
   你忙你忙 这事情做得漂亮
   你强你强 这做人做出担当
   能不能给点念想 让我挂在面上
   能不能留点空间 让我隐藏今日悲伤。

(女)我一心在为家而忙 希望你能多些体谅
   家里家外换个方向 把日子过得更漂亮
   我不想和你比谁强 希望你试着去欣赏
   幸福生活掌握在我们手上

(男)太阳就是太阳 照着半边月亮
   房子车子我养 孩子你多帮忙
   洗衣煮饭煲汤 样样我都擅长
   全心守在家的后方 让你在外风风光光
   老婆年轻漂亮 女儿前卫时尚
   说我抠门怪我赖账 联手弹劾找我算账
(女)把我说成这样 还不是被你影响
   你我各有所忙 何必互相较量
   你用旧的眼光 拒绝新的思想
   我用我的倔强 为家贡献力量
(合)日子越过越长 男人女人一样
   这个社会需要力量 需要彼此学会体谅
   责任一起来扛 没有谁比谁强
   一个家庭需要榜样 需要配合互相欣赏

電視劇《婚姻保卫战》资料
导演:赵宝刚、王 迎
编剧:魏晓霞
演员:佟大为 饰 郭 洋; 马伊琍 饰 李 梅
   黄 磊 饰 许小宁; 袁 莉 饰 兰 心
   刘金山 饰 老 常; 于 娜 饰 陈 梦
   马艳丽 饰 杨 丹; 孟广美 饰 张 谨
   曾泳醍 饰 常小小; 任 重 饰 李 刚






剧情:(共33集;2010年8月16日首播)
  证券公司白领李梅和装饰设计师郭洋的婚姻正处于“七年之痒”的微妙时刻。丈夫在业内小有名气,工作顺风顺水,儿子即将上小学,夫妻感情也不错。本来还算满足的李梅由于为家庭和孩子丧失了不少机会,看到别的女人享受事业成功带来的一切,内心的委屈和失落便不时通过一些琐事演变成一场没有硝烟的家庭战争。
  郭洋因一次意外被迫辞职,只好回家做了『煮夫』。但郭洋其实还想着出去做一番事业,所以他和妻子之间的矛盾会越来越多。李梅在外面工作承受的压力大,变得异常敏感,当她觉得丈夫有些不对劲的时候,她没有选择主动沟通,最后甚至为了一个误会而让婚姻走到了分裂的边缘。
  皮具公司女老板兰心是李梅大学同学,事业如日中天,野心勃勃要成为行业女王。丈夫许小宁放弃工作,『煮夫』当家,照顾孩子。李梅羡慕兰心丈夫体贴、事业有成,兰心却嫉妒李梅比自己聪明、还有个能干的老公。后来因为被诈骗,公司又失火,多年心血付之一炬,她承受不了这个打击,甚至想跳楼。在经历了一番挫折之后,她明白了有一个爱家爱自己的老公,这是最幸福的一件事情。
  她们的邻居老常是个再婚男人,老夫少妻,其乐融融。模特出身的妻子陈梦通过嫁人寻求幸福生活的捷径,缩短奋斗过程,却不愿做全职主妇,也羡慕职场女性。老常经营4S店,人到中年,渴望安定的生活,不同意妻子出去工作。老常为了省钱自己踩高换灯泡时摔倒,造成骨折,只好同意陈梦管理车行。而女儿归国和新找的男友又給家里带来了更多的冲突……
  四个不同类型的现代都市家庭,产生出来不同的矛盾,由于新型社会新型家庭问题引发的新型家庭战争。这一场场家庭战役,为婚姻中的男人女人总结出如何保卫家庭、保卫婚姻的新型生活理念。其实婚姻中的大多数男人女人的战争,都只是鸡毛蒜皮的小事引起的,没有什么不可调和的真正矛盾,关键在于用一种什么方式、什么心态去面对这些问题。所以这也本片所要表达的怎样去经营一种新型的家庭文化。